Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
55 - Gardens
from Part VI - Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 425 - 434Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Barron, Catherine. “The Collecting and Patronage of John, Lord Lumley (c.1535–1609).” The Evolution of English Collecting: The Reception of Italian Art in the Tudor and Stuart Periods. Ed. Chaney, Edward. New Haven: Yale UP, 2003. 125–58.Google Scholar
Burton, Robert. The Anatomy of Melancholy: What It Is (1621). Ed. Dell, F. and Jourdan-Smith, P.. London: Routledge, 1931.Google Scholar
Calendar of State Papers, Domestic Series, of the Reigns of Edward VI, Mary, Elizabeth [and James I.] 1547–[1625]. 12 vols. London: Longman, 1856–72.Google Scholar
Calendar of State Papers, Domestic Series, of the Reign of Charles I., 1625–[1649]. 23 vols. London: Longman, 1858–97.Google Scholar
Cloake, John. Palaces and Parks of Richmond and Kew. Vol. 1. Chi- chester: Phillimore, 1995.Google Scholar
Colvin, Howard, ed. The History of the King’s Works. Vol. 4: 1485–1660, Part 2. London: Her Majesty’s Stationery Office, 1982.Google Scholar
Eiche, Sabine. “Prince Henry’s Richmond: The Project by Constantino de’ Servi.” Apollo 148 (November 1998): 10–14.Google Scholar
Feuillerat, Albert, ed. Documents Relating to the Office of Revels in the Time of Queen Elizabeth. Louvain: Uystopruyst, 1908.Google Scholar
Gerard, John. The Herball or Generall Historie of Plantes. Gathered by John Gerarde of London Master in Chirurgerie. London: 1597.CrossRefGoogle Scholar
Henderson, Paula. “Garden Ornament.” Art Collecting and Lineage in The Elizabethan Age: The Lumley Inventory and Pedigree. Ed. Evans, Mark. London: The Roxburghe Club, 2010. 51–54.Google Scholar
Henderson, Paula. The Tudor House and Garden: Architecture and Landscape in the 16th and 17th Centuries. New Haven: Yale UP, 2005.Google Scholar
Hentzner, Paul. A Journey into England in the year 1598. Ed. Walpole, Horace. Strawberry Hill: 1757.Google Scholar
Hill, Thomas (or Hyll), attrib. The Gardener’s Labyrinth, by “Didymous Mountain.” London: 1577.Google Scholar
Husselby, Jill, and Henderson, Paula. “Location, Location, Location! William Cecil’s House in the Strand.” Architectural History 45 (2002): 159–93.CrossRefGoogle Scholar
Laneham, Robert. Robert Laneham’s Letter. 1575. Ed. Furnivall, F. J.. London: Gollancz (I.) The Shakespeare Library, 1907.Google Scholar
Markham, Gervase. Certain excellent new and inuented knots and mazes. London: John Marriott, 1623.Google Scholar
Mulcaster, Richard. The Quenes Maiesties Passage through the Citie of London to Westminster the Day before her Coronacion. 1558. Ed. Osborn, James M., facs. New Haven: Yale UP, 1960.Google Scholar
Nichols, John. The Progresses and Public Processions of Queen Elizabeth. New ed. 3 vols. London: 1823.Google Scholar
Platter, Thomas, and Busino, Horatio. The Journals of Two Travellers in Elizabethan and Early Stuart England. London: Caliban, 1995.Google Scholar
Rye, William B. England as Seen by Foreigners in the Days of Elizabeth and James I. London: John Russell Smith, 1865.Google Scholar
Smith, Bruce R. “Landscape with Figures: The Three Realms of Queen Elizabeth’s Country-house Revels.” Renaissance Drama 8 (1977): 57–115.CrossRefGoogle Scholar
Stow, John. A Survay of London (1598, rev. 1603). Ed. Morley, Henry. Oxford: Routledge, 1908.Google Scholar
Stow, John, and Strype, John. A survey of the cities of London and Westminster, and the borough of Southwark: containing the original, antiquity, increase, present state and government of those cities: written at first in the year 1698 [i.e., 1598] by John Stow … ; corrected, improved, and very much enlarged, in the year 1720, by John Strype. 2 vols. London: Printed for W. Innys and J. Richardson, J. and P. Knapton [and 10 others], 1754–55.Google Scholar
Stubbes, Philip. P. Stubbes’s Anatomy of Abuses in England in Shakspere’s Youth (1583). Ed. Furnivall, F. J.. London: Bungay (New Shakespeare Society, I), 1877–79.Google Scholar
Further reading
Malden, H. E., ed. “The Borough of Southwark: Introduction.” A History of the County of Surrey. Vol. 4. Victoria History of the Counties of England. London: A. Constable, 1912. 125–35.Google Scholar
Saunders, Ann, and Schofield, John, eds. Tudor London: A Map and a View. London Topographical Society Publication 59. London: London Topographical Society, 2001. Especially pl. 1.Google Scholar