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162 - Global Diasporas as Reflected in the Work of Keng Sen Ong

from Part XVII - Shakespeare as Cultural Icon

Published online by Cambridge University Press:  17 August 2019

By
Alexa Huang
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Asian identitiesBrook, PeterClarke, Mary Cowdencontact zoneDenmarkdiasporaThe Girlhood of Shakespeare’s HeroineHamletKing Learmultilingual performanceOng, Keng SenOthelloSingaporeSpivak, Gayatri Chakravortysubjectivity
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1212 - 1219
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Boyd, Mari. “Kishida Rio.” The Columbia Encyclopedia of Modern Drama. Ed. Cody, Gabrielle H. and Sprinchorn, Evert. New York: Columbia UP, 2007. 769–70.Google Scholar
Braziel, Jana Evans, and Mannur, Anita. “Nation, Migration, Globalization: Points of Contention in Diaspora Studies.” Theorizing Diaspora: A Reader. Oxford: Blackwell, 2003. 1–22.Google Scholar
Danforth, Susan, curator. Champlain’s America: New France and New England. Providence: John Carter Brown Library, Brown University, 2008. http://www.brown.edu/Facilities/John_Carter_Brown_Library/Champlainexhib/Pages/Great%20Design.html. Accessed 15 January 2012.Google Scholar
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Huang, Alexander C. Y. “Shakespeare and Translation.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh UP, 2011. 68–87.Google Scholar
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Kalden, Elizabeth A. “All the World’s a Stage Now.” Straits Times 21 April 1998: 2.Google Scholar
Kishida, Rio. Thread Hell. Trans. Sorgenfrei, Carol Fisher. Half a Century of Japanese Theater. Vol. 4. Ed. Japan Playwrights Association. Tokyo: Kinokuniya, 2002. 161–221.Google Scholar
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Ong, Keng Sen. “Encounters.” The Drama Review 45.3 (2001): 126–33.Google Scholar
Ong, Keng Sen. “Lear: Linking Night and Day.” Lear [stage bill]. Tokyo: The Japan Foundation Asia Center, 1997. 5.Google Scholar
Ong, Keng Sen. Search: Hamlet. Programme Notes. Elsinore: Hamlet Sommer, 2002.Google Scholar
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Ong, Keng Sen. Search: Hamlet. Unpublished diary, n.d.Google Scholar
Ong, Keng Sen. “A Talk with Director Ong Keng Sen [interview with Mok Wai Yin].” Descendants of the Eunuch Admiral – A Meditation. Stage bill. Singapore: TheatreWorks, Victoria Theatre, 1995.Google Scholar
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Peterson, William. Theatre and the Politics of Culture in Contemporary Singapore. Middletown: Wesleyan UP, 2001.Google Scholar
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Yong, Li Lan. “Ong Keng Sen’s Desdemona, Ugliness, and the Intercultural Performative.” Theatre Journal 56.2 (2004). 251–73.Google Scholar

Further reading

Al-Bassam, Sulayman. The Al-Hamlet Summit: A Political Arabesque. Hatfield: U of Hertfordshire P, 2006.Google Scholar
Braziel, Jana Evans, and Mannur, Anita. “Nation, Migration, Globalization: Points of Contention in Diaspora Studies.” Theorizing Diaspora: A Reader. Oxford: Blackwell, 2003. 1–22.Google Scholar
Huang, Alexa. “Shakespeare and Translation.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh U P, 2011. 68–87Google Scholar
Huang, Alexa. “‘What Country, Friends, Is This?’: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography.” Theatre Survey 54.1 (2013): 51–85.CrossRefGoogle Scholar
Huang, Alexa. and Rivlin, Elizabeth, eds., Shakespeare and the Ethics of Appropriation. New York: Palgrave, 2014.CrossRefGoogle Scholar
Huang, Alexa, and Donaldson, Peter, eds., Global Shakespeares digital video archive, http://globalshakespeares.mit.edu/Google Scholar
Kennedy, Dennis, ed., Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge University Press, 1993.Google Scholar
Ong, Keng Sen. “Encounters.” The Drama Review 45.3 (2001): 126–33.Google Scholar
Peterson, William. Theatre and the Politics of Culture in Contemporary Singapore. Middletown: Wesleyan UP, 2001.Google Scholar

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