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184 - Iconic Characters: Hamlet as Iconic Image in Russian Culture

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bartoshevich, Aleksey. Gamlety nashih dnej. Shekspirovskie chtenija. Moscow: Izdatel’stvo Moskcovskogo gumanitarnogo universiteta, 2010.Google Scholar
Belinsky, Vissarion. “Gamlet,” drama Shekspira. Mochalov v roli Gamleta. Polnoe sobranie sochinenii in 13 vols. Vol. 2. Ed. Desnitsky, V. A.. Moscow: Izdatel’stvo Akademii nauk SSSR, 1953.Google Scholar
Gibian, George. Russia: A Shakespeare Encyclopaedia. Ed. Campbell, O. J. and Quinn, E. G.. London: Methuen, 1966.Google Scholar

Further reading

Alekseev, Mikhail P., ed. Shekspir i russkaja kul’tura. Moscow: Akademija nauk SSSR, 1965.Google Scholar
Kozintsev, Grigory M. Shakespeare: Time and Conscience. Trans. Vining, Joyce. London: Dennis Dobson, 1967.Google Scholar
Makaryk, Irena R., and Price, Joseph C., eds. Shakespeare in the Worlds of Communism and Socialism. Toronto: U of Toronto P, 2006.CrossRefGoogle Scholar
O’Neill, Catherine. With Shakespeare’s Eyes: Pushkin’s Creative Appropriation of Shakespeare. Newark: U of Delaware P, 2003.Google Scholar
Parfenov, Alexandr T., and Price, Joseph C., eds. Russian Essays on Shakespeare and His Contemporaries. Newark: U of Delaware P, 1998.Google Scholar
Rowe, Eleanor. Hamlet: A Window on Russia. New York: New York UP, 1976.Google Scholar
Střibrný, Zdenêk. Shakespeare and Eastern Europe. Oxford: Oxford UP, 2000.CrossRefGoogle Scholar
Vanovsky, Alexandr A. The Path of Jesus from Judaism to Christianity as Conceived by Shakespeare: Disclosure of a Hidden Jewish Plot in Shakespeare’s Tragedy “Hamlet.” Tokyo: S. G. Vishtak, 1962.Google Scholar

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