Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Introduction
- 245 Rhetoric, Form, Aesthetics
- 246 Philosophy, Ethics, Morality
- 247 The Linguistic Turn and the Cultural Turn
- 248 Character and Psychoanalytic Criticism
- 249 Biography and Autobiography
- 250 Materialist and Political Criticism
- 251 Identity and Subjectivity
- 252 Performance, Perception, Reception
- 253 Cognition and Affect
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
251 - Identity and Subjectivity
from Part XXV - Shakespeare and the Critics
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Introduction
- 245 Rhetoric, Form, Aesthetics
- 246 Philosophy, Ethics, Morality
- 247 The Linguistic Turn and the Cultural Turn
- 248 Character and Psychoanalytic Criticism
- 249 Biography and Autobiography
- 250 Materialist and Political Criticism
- 251 Identity and Subjectivity
- 252 Performance, Perception, Reception
- 253 Cognition and Affect
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
agencybisexual, colonialismconstructionismcosmopolitanismessentialismethnicityfemininityfeminismgaygenderglobalizationhistoricismhomohistoryhomosexualityhybridityidentityidentity politicsimperialismLGBT studieslesbianmasculinitymaterialismnationalitypeople of colorobjectificationOrientalismpostcolonialismpresentismqueer theoryracesexual orientationsubjectivitytransgendertranssexualunhistoricism
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1781 - 1790Publisher: Cambridge University PressPrint publication year: 2016
References
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Further reading
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