Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Introduction
from Part V - Printing, Publishing, Textuality
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 323 - 335Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Blayney, Peter W. M. “The Publication of Playbooks.” A New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383–422.Google Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago: U of Chicago P, 1998.CrossRefGoogle Scholar
Leishman, J. B., ed. The Three Parnassus Plays, 1598–1601. London: Nicholson and Watson, 1949.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
Nashe, Thomas. The Unfortunate Traveller: Or, The Life of Jack Wilton. London: Cuthbert Burby, 1594.Google Scholar
Further reading
Clegg, Cyndia Susan. Press Censorship in Elizabethan England. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Oxford UP, 1991.CrossRefGoogle Scholar
Farmer, Alan B., and Lesser, Zachary. “The Popularity of Playbooks Revisited.” Shakespeare Quarterly 56 (2005): 1–32.CrossRefGoogle Scholar
Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: The Bibliographical Society, 1970.Google Scholar
Halasz, Alexandra. The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Shakespeare, William. Poems. Ed. Duncan-Jones, Katherine and Woudhuysen, Henry. London: The Arden Shakespeare. Thomson Learning, 2007.Google Scholar
Wells, Stanley, and Taylor, Gary, with Jowett, John and Montgomery, William. William Shakespeare: A Textual Companion. Oxford: Oxford UP, 1987.CrossRefGoogle Scholar