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222 - Macbeth, Three Influential Late Twentieth-Century Productions: Kurosawa, Polanski, Ninagawa

from Part XXII - Production History

Published online by Cambridge University Press:  17 August 2019

By
A. R. Braunmuller
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Joe MacBethKurosawa, AkiraLady MacbethMacbethMifune, TashiroNinagawa, YukioPolanski, RomantelevisionTynan, KennethWelles, Orson
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1604 - 1607
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Billington, Michael. [review]. The Guardian [London] 18 September 1987.Google Scholar
Davies, Anthony. Filming Shakespeare’s Plays. Cambridge: Cambridge University Press, 1988.CrossRefGoogle Scholar
Donaldson, Peter S. Shakespearean Films/ Shakespearean Directors. Boston: Unwin Hyman, 1990.Google Scholar
Goodwin, James. Akira Kurosawa and Intertextual Cinema. Baltimore: Johns Hopkins UP, 1994.Google Scholar
Gordon, Giles. Plays and Players 410 (November 1987): 18–19.Google Scholar
Kishi, Tetsuo. “‘Bless Thee! Thou Art Translated!’”: Shakespeare in Japan.” Images in Shakespeare. Ed. Habicht, Werner et al. London: Associated UP, 1988. 245–50.Google Scholar
Kurosawa, Akira. “Seven Samuri” and Other Screenplays. London: Faber, 1992.Google Scholar
Leech, Michael. Interview with Ninagawa, Yukio. What’s on in London 17 September 1987.Google Scholar
Mullin, Michael. “Stage and Screen: The Trevor Nunn Macbeth.” Shakespeare Quarterly 38 (1987): 350–59.CrossRefGoogle Scholar
Mulryne, Ronnie. “From Text to Foreign Stage: Yukio Ninagawa’s Cultural Translation of Macbeth.” Shakespeare from Text to Stage. Ed. Kennan, Patricia and Tempera, Mariangela. Bologna: CLUEB, 1992. 131–43.Google Scholar
Rothwell, Kenneth, and Melzer, Annabelle. Shakespeare on Screen: An International Filmography and Videography. New York: Neal-Schuman, 1990.Google Scholar
Whitebrook, Peter. The Scotsman 24 August 1985.Google Scholar

Further reading

Gillies, John. “Shakespeare on the Stages of Asia.” The Cambridge Companion to Shakespeare on Stage. Ed. Wells, Stanley and Stanton, Sarah. Cambridge: Cambridge University Press, 2006. 259–83.Google Scholar
Kliman, Bernice, ed. Macbeth: Shakespeare in Performance. Manchester: Manchester UP, 2004.Google Scholar
Wilders, John, ed. Macbeth: Shakespeare in Production. Cambridge: Cambridge University Press, 2004.Google Scholar

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