Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-27T11:55:16.505Z Has data issue: false hasContentIssue false

60 - Painted Cloths

from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources Cited

Baker, Oliver. In Shakespeare’s Warwickshire and the Unknown Years. London: Simpkin Marshall, 1937.Google Scholar
Bath, Michael. Speaking Pictures: English Emblem Books and Renaissance Culture. London: Longman, 1994.Google Scholar
Beaumont, Francis, and Fletcher, John. The Works. Ed. Darley, George. Vol. 2. London: Edward Moxon, 1839.Google Scholar
Estienne, Henri. The Art of Making Devices. Trans. Blunt, Theo.. London: 1650.Google Scholar
Fairchild, Arthur H. R. Shakespeare and the Art of Design. University of Missouri Studies 12. Columbia: University of Missouri P, 1937.Google Scholar
Halliday, F. E. A Shakespeare Companion 1550–1950. London: Duckworth, 1952.Google Scholar
Hamling, Tara. Decorating the “Godly” Household. New Haven: Yale UP, 2010.Google Scholar
Henslowe, Philip. Henslowe’s Diary. Ed. Foakes, R. A.. 2nd ed. Cambridge: Cambridge University Press, 2002.Google Scholar
Hoare, Richard Cold, ed. The History of Modern Wiltshire: Old and New Sarum, or Salisbury. London: J. Nichols & Son, 1843.Google Scholar
Jonson, Ben. Works. Ed. Cornwall, B.. London: Edward Moxon, 1838.Google Scholar
Kinney, Arthur F. Shakespeare’s Webs: Networks of Meaning in Renaissance Drama. London: Routledge, 2004.Google Scholar
Sir Lee, Sidney. A Life of William Shakespeare. London: Smith, Elder, & Co., 1915.Google Scholar
Sir Lee, Sidney. Stratford-on-Avon. London: Seeley and Co., 1904.Google Scholar
Mander, Nicholas. “Painted Cloths: History, Craftsmen and Techniques.” Textile History 28.2 (1997): 119–48.Google Scholar
Nares, Robert. A Glossary; or Collection of Words in English Authors. London: Tiphook, 1822.Google Scholar
Starkey, D. The Inventory of Henry VIII. Vol. 1: The Transcript. London: Harvey Miller for the Society of Antiquaries of London, 1998.Google Scholar
Thompson, W. G. A History of Tapestry. 3rd ed., rev. Wakefield: E. P. Publishing, 1973.Google Scholar
Tymms, Samuel, ed. Bury Wills and Inventories. Camden Society Publications 23 (1850).Google Scholar
Watt, Tessa. Cheap Print and Popular Piety, 1550–1640. Cambridge: Cambridge University Press, 1991.Google Scholar
Wells-Cole, Anthony. Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558–1625. New Haven: Yale UP, 1997.Google Scholar
Wickham, Glynne. Early English Stages, 1300–1576. 2 vols. London: Routledge and Kegan Paul, 1959.Google Scholar

Further Reading

Aubrey, John. Brief Lives. Ed. Dick, O. Lawson. London: 1960.Google Scholar
Davies, Kathryn. Artisan Art: Vernacular Wallpaintings in the Welsh Marches, 1550–1650. Almeley: Logaston, 2008.Google Scholar
Floyd, Jennifer Eileen. Writing on the Wall: John Lydgate’s Architectural Verse. Stanford: Stanford UP, 2008.Google Scholar
Foister, Susan. “Paintings and Other Works of Art in Sixteenth- Century English Inventories.” The Burlington Magazine 123.938 (May 1981): 273–82.Google Scholar
Geddes, Jane. King’s College Chapel, Aberdeen, 1500–2000. Leeds: Northern Universities Press, 2000.Google Scholar
Godon, Julien. Painted Tapestry and Its Application to Interior Decoration. Trans. and introd. Bucknall, B.. London: Lechertier, Barbe and Co., 1879.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 3rd ed. Cambridge: Cambridge University Press, 1992.Google Scholar
Gurr, Andrew. “Staging at the Globe.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R. and Shewring, Margaret. Cambridge: Cambridge University Press, 1997.Google Scholar
Hart, Jonathan. “Narrationial Strategies in The Rape of Lucrece.” Studies in English Literature, 1500–1900 32.1 (1992): 5977.Google Scholar
Kennedy, P. A., ed. Nottingham Household Inventories. Thoroton Society Record Series 22. Nottingham: Thoroton Society, 1963.Google Scholar
Kightly, Charles. “The Hangings about the Hall: An Overview of Textile Wall Hangings in Late Medieval York, 1394–1505.” Medieval Textiles 28 (June 2001) (http://www.medieval-life.co.uk).Google Scholar
Macquoid, Percy. “The Home.” Shakespeare’s England. Vol. 2. Oxford: 1916. 119–52.Google Scholar
Mander, Nicholas. “A Movable Feast of Painted Cloths.” Country Life 197.38 (September 18, 2003): 132–34, 136.Google Scholar
Moore, Elsie Matley. “Painted Cloths.” Transactions of the Worcestershire Archaeological Society, 3rd ser. 8 (1982): 7379.Google Scholar
Mulryne, J. R., and Shewring, Margaret, eds., Gurr, Andrew, advisory ed. Shakespeare’s Globe Rebuilt. Cambridge: Cambridge University Press, 1997.Google Scholar
Nodermann, M. Bonadsmåleri i Norden: från medeltid till Vasatid. Nordiska Museets Handlingar 125. Stockholm: 1997.Google Scholar
Nuyts-Giornal, Josée. “The Wars for My Money: La politique morale du ‘painted-cloth.’Coriolan de Shakespeare. Ed. Hillman, Richard. Tours: Presses Universitaires François-Rabelais, 2007Google Scholar
Ronayne, John. “Totus Mundus Agit Historionem … The Interior Decorative Scheme of the Bankside Globe.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R. and Shewring, M.. Cambridge: Cambridge University Press, 1997. 121–46.Google Scholar
Schöne, Wolfgang. Dieric Bouts und seine Schule. Berlin: 1938.Google Scholar
Sugden, A. V., and Edmondson, J. L.. A History of English Wallpaper, 1509–1914. London: Batsford, n.d.Google Scholar
Villers, Caroline, ed. The Fabric of Images: European Paintings on Textile Supports in the Fourteenth and Fifteenth Centuries, Proceedings of the International Symposium Held on 16 May 1998 at the Courtauld Institute. London: Archetype, 2000.Google Scholar
Young, Christina, and Costaras, Nicola. European Painted Cloths, 1400–2000: Pagentry, Ceremony, Theatre and Domestic. London: Archetype, 2013.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×