Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
47 - Paper
from Part V - Printing, Publishing, Textuality
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
All’s Well That Ends WellAstrophil and StellaBelieve as You Listbeta-radiographbibliographical analysisbibliographical descriptionBrittanyBrooke, Ralphbrown paperCade, Jackchainlineschainspacechainspace modelChurchyard, Thomascompositorcouchercrown paperDartford, KentdeckleA Discovery of ErroursEuphues Golden LegacieFabrianoFavyn, Andréfelt sideFirst FoliofoolscapGreg, W. W.Gutenberg, JohannesHamlet, fourth quartoHenry IV, Part 1Henry VHenry VI, Part IIHenslowe’s DiaryHertfordimported paperJaggard, WilliamJonson, BenKing Learlaid paperlaid wireslayerlinen ragsMassinger, PhilipThe Merchant of VeniceThe Merry Wives of WindsorA Midsummer Night’s Dreammold sidemugshot-and-fingerprint methodNashe, ThomasNeedham, PaulNormandypaperpaper as bibliographical evidencepaper millpaper moldspaper sizespaper stocksPavier, ThomasPavier quartosPericlespost of paperpot paperprintingrag paperRomeo and Juliet, fourth quartoscrollsThe second part of the booke of Christian exerciseSejanusSidney, Sir PhilipSir John OldcastleSmethwick, JohnSpainThe Spanish TragedySpilman, JohnStansby, WilliamStern, TiffanyStevenson, Allan H.stuffTate, JohnThe theater of honour and knight-hoodTroubles in Bohemiatwin moldsvatmanVincent, AugustineVsvrie Araigned and Condemnedwatermarkwatermark designswatermark twinswhite paperThe Whole ContentionThe Winter’s Talewireformwirelinesde Worde, WynkynA Yorkshire Tragedy
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 347 - 354Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
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Hailey, R. Carter. “The Dating Game: New Evidence for the Dates of Q4 Romeo and Juliet and Q4 Hamlet.” Shakespeare Quarterly 58.3 (2007): 367–87.Google Scholar
Hailey, R. Carter. “The Shakespearian Pavier Quartos Revisited.” Studies in Bibliography 57 (2008 for 2005–2006): 151–95.Google Scholar
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