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263 - Photography

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Stuart Sillars
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

American Museum of PhotographyArmstrong-Jones, Anthony (Lord Snowdon)Cameron, Julia Margaretcarte-de-visitecharacterClarke, Mary CowdenCollins Clear Type PressCooper, DonaldEdelstein, T. J.Evans, EdithFoulkes, Richardfoyer cardsThe GraphicHamletHay, LornaHutton, KIllustrated London NewsKean, CharlesKennel, SarahLaroche, MartinMander, RaymondMayer, DavidMcBean, AngusMitchenson, JoeNational Media MuseumNational Portrait GalleryOlivier, Laurencephotographic processesphotographic studiophotographic techniquesphotography in theaterPicture Postpopular editionsPrincess’s TheatreRobinson, Henry Peachscholarly editionsShakespeare in AsiaShakespeare Memorial TheatreThe SketchSmithsonian National Portrait GalleryThe SphereSterographTallis ShakespeareTaylor, Sir Henrytheater programsTwelfth NightVictoria and Albert MuseumWarne, Frederick, Shakespeare edition
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1884 - 1889
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Armstrong-Jones, Anthony (Lord Snowdon). Personal View. London: Weidenfeld and Nicolson, 1979.Google Scholar
Edelstein, T. J., and Cooper, Donald. Donald Cooper: Photographs of the Classic British Theatre. South Hadley: Mount Holyoke College Art Museum, 1987.Google Scholar
Foulkes, Richard. “The Laroche Photographs of Charles Kean’s Shakespeare Revivals.” Theatrephile. 2.8. (1985), 29–32.Google Scholar
Mander, Raymond, and Mitchenson, Joe. Hamlet through the Ages: A Pictorial Record from 1709. London: Rockliff, 1952.Google Scholar
Mayer, David. “The Actress as Photographic Icon: From Early Photography to Early Film.” The Cambridge Companion to the Actress. Ed. Gale, Maggie B. and Stokes, John. Cambridge: Cambridge University Press, 2007. 74–94.CrossRefGoogle Scholar

Further reading

Kennel, Sarah. In the Darkroom: An Illustrated Guide to Photographic Processes before the Digital Age. Washington: National Gallery of Art, 2009.Google Scholar
Mayer, David. “‘Quote the Words to Prompt the Attitudes’: The Victorian Performer, the Photographer, and the Photograph.” Theatre Survey 43.2 (November 2002): 223–51.Google Scholar
Olsen, Victoria. From Life: Julia Margaret Cameron and Victorian Photography. London: Aurum, 2003.Google Scholar
Wade, John. A Short History of the Camera. Watford: Fountain, 1979.Google Scholar

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