Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-10T09:50:42.517Z Has data issue: false hasContentIssue false

196 - Physical Structures

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

By
Ronnie Mulryne
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

amphitheatersBanqueting Houseblack boxesBlackfriars (playhouse)Brook, PeterDavenant, WilliamElizabethan playhousesGarrick, DavidGlobe (playhouse)indoor stagesthe Inns of CourtKing’s MenMichael Reardon’s Swan (playhouse)open stagesprivate theatersproscenium archespublic stagesRestoration spectaclesShakespeare, WilliamShakespeare Memorial Theatrethe “transformed” Royal Shakespeare Theatre
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1427 - 1434
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Banham, Martin, ed. The Cambridge Guide to Theatre. Cambridge: Cambridge University Press, 1995.Google Scholar
Bergeron, David M. English Civic Pageantry, 1558–1642. London: Edward Arnold, 1971.Google Scholar
Bergeron, David M. “The Hoby Letter and Richard II: A Parable of Criticism.” Shakespeare Quarterly 26 (1975): 477–80.Google Scholar
Blatherwick, Simon. “The Archaelogical Evaluation of the Globe Playhouse.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R[onnie] and Shewring, Margaret. Cambridge: Cambridge University Press, 1997. 67–80.Google Scholar
Booth, Michael. Victorian Spectacular Theatre, 1850–1910. London: Routledge and Kegan Paul, 1981.Google Scholar
Boyd, Michael. Transforming Our Theatres: Our Future. Stratford-upon-Avon: Royal Shakespeare Company, 2009.Google Scholar
Brook, Peter. The Empty Space. London: McGibbon and Kee, 1968. Rpt. Harmondsworth: Penguin, 1972.Google Scholar
Brown, John Russel. Free Shakespeare. London: Heinemann, 1974.Google Scholar
Dutton, Richard, ed. Jacobean Civic Pageants. Keele: Ryburn, 1995.Google Scholar
Greenfield, Jon. “Design as Reconstruction/Reconstruction as Design.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R[onnie] and Shewring, Margaret. Cambridge: Cambridge University Press, 1997. 81–96Google Scholar
Greenfield, Jon. “Reconstructions.” The Rose and the Globe – Playhouses of Shakespeare’s Bankside, Southwark. Ed. Bowsher, Julian and Miller, Pat. London: Museum of London Archaeology, 2009. 120–27.Google Scholar
Gurr, Andrew. “A History of Reconstructions and Some Reasons for Trying.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R[onnie] and Shewring, Margaret. Cambridge: Cambridge University Press, 1997. 27–50.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press, 1987.Google Scholar
Gurr, Andrew. The Shakespearean Playing Companies. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 4th ed. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Gurr, Andrew. “Staging the Globe.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R[onnie] and Shewring, Margaret. Cambridge: Cambridge University Press, 1997. 159–68.Google Scholar
Harris, John, Orgel, Stephen, and Strong, Roy. The King’s Arcadia: Inigo Jones and the Stuart Court. London: Arts Council of Great Britain, 1973.Google Scholar
Hodges, C. Walter. The Globe Restored. 2nd ed. Oxford: Oxford UP, 1968.Google Scholar
LeWinter, Oswald, ed. Shakespeare in Europe. Cleveland: Meridian Books, 1963. Rpt. Harmondsworth: Penguin, 1970.Google Scholar
Keenan, Siobhan. Travelling Players in Shakespeare’s England. Basingstoke: Macmillan, 2002.Google Scholar
McMillin, Scott, and MacLean, Sally-Beth. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998.Google Scholar
Mulryne, J. R[onnie]. “Professional Players in the Guild Hall, Stratford-upon-Avon, 1568–1597.” Shakespeare Survey 60 (2007): 1–22.Google Scholar
Mulryne, [J.] Ronnie. Shakespeare’s Globe Rebuilt. Cambridge: Cambridge University Press, 1997.Google Scholar
Mulryne, [J.] Ronnie. This Golden Round: The Royal Shakespeare Company at the Swan. Stratford-upon-Avon: Mulryne and Shewring, 1989.Google Scholar
Mulryne, [J.] Ronnie, and Shewring, Margaret, eds. Making Space for Theatre: British Architecture and Theatre since 1958. Stratford-upon-Avon: Mulryne and Shewring, 1995.Google Scholar
Nicoll, Allardyce. The Garrick Stage: Theatres and Audience in the Eighteenth Century. Manchester: Manchester UP, 1981.Google Scholar
Orgel, Stephen, and Strong, Roy. Inigo Jones: The Theatre of the Stuart Court. 2 vols. Los Angeles: Sotheby Parke Bernet and UCLA Press, 1973.Google Scholar
Orrell, John. “Designing the Globe, Reading the Documents.” Shakespeare’s Globe Rebuilt. Ed. Mulryne, J. R[onnie] and Shewring, Margaret. Cambridge: Cambridge University Press, 1997. 51–66.Google Scholar
Overbury, Thomas. Characters. London: 1615.Google Scholar
Powell, Jocelyn. Restoration Theatre Production. London: Routledge and Kegan Paul, 1984.Google Scholar
Sasayama, Takashi, Mulryne, J. R[onnie], and Shewring, Margaret, eds. Shakespeare and the Japanese Stage. Cambridge: Cambridge University Press, 1998.Google Scholar
Scolnicov, Hanna, and Holland, Peter. The Play Out of Context: Transferring Plays from Culture to Culture. Cambridge: Cambridge University Press, 1989.Google Scholar
Smith, Irwin. Shakespeare’s Blackfriars Playhouse: Its History and Design. New York: New York UP, 1964. Rpt. London: Owen, 1966.Google Scholar
Sturgess, Keith. Jacobean Private Theatre. London: Routledge and Kegan Paul, 1987.Google Scholar
Webster, John. “To the Reader.” The White Devil. London: 1612Google Scholar
Worden, Blair. “Shakespeare in Life and Art: Biography and Richard II.” Shakespeare, Marlowe, Jonson: New Directions in Biography. Ed. Kozuka, Takashi and Mulryne, J. R[onnie]. Aldershot: Ashgate, 2006. 23–42.Google Scholar

Further reading

Foakes, R[eginald] A. Illustrations of the English Stage, 1580–1642. London: Scolar, 1985.Google Scholar
Leacroft, Richard. The Development of the English Playhouse. London: Eyre Methuen, 1973.Google Scholar
Leacroft, Richard, and Leacroft, Helen. Theatre and Playhouse: An Illustrated History of Theatre Building from Ancient Greece to the Present Day. London: Methuen, 1984.Google Scholar
Mackintosh, Iain. Architecture, Actor and Audience. London: Routledge, 1993.Google Scholar
Minami, Ryuta, Carruthers, Ian, and Gillies, John, eds. Performing Shakespeare in Japan. Cambridge: Cambridge University Press, 2001.Google Scholar
Mullin, Donald C. The Development of the Playhouse: A Survey of Theatre Architecture from the Renaissance to the Present. Berkeley: U of California P, 1970.Google Scholar
Orrell, John. The Human Stage: English Theatre Design, 1567–1640. Cambridge: Cambridge University Press, 1988.Google Scholar
Orrell, John. The Quest for Shakespeare’s Globe. Cambridge: Cambridge University Press, 1983.Google Scholar
Orrell, John. The Theatres of Inigo Jones and John Webb. Cambridge: Cambridge University Press, 1985.Google Scholar
Rowell, George. The Victorian Theatre: 1792–1914, a Survey. 2nd ed. Cambridge: Cambridge University Press, 1978.Google Scholar
Southern, Richard. The Georgian Playhouse. London: Pleiades, 1948.Google Scholar
Southern, Richard. The Seven Ages of the Theatre. 2nd ed. London: Faber, 1964.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×