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259 - Puppetry

from Part XXVI - Shakespeare and the Performing Arts

Published online by Cambridge University Press:  17 August 2019

By
Scott Cutler Shershow
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

authorshipChessé, BruceDerrida, JacquesGreene, RobertHamletJonson, BenmarionettesMarston, JohnMiddleton, Thomas“motions”puppetsShakes versus ShavShaw, George Bernard“theological theater”The TempestThe Two Gentlemen of Verona
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1844 - 1851
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Barasch, Frances K. “Shakespeare and the Puppet Sphere.” English Literary Renaissance 34.2 (2004): 157–75.Google Scholar
Bell, John. Strings, Hands, Shadows: A Modern Puppet History. Detroit: Institute of Art, 2005.Google Scholar
Burke, Peter. Popular Culture in Early Modern Europe. New York: New York UP, 1978.Google Scholar
Day, John [and Chettle, Henry]. The Blind Beggar of Bednal Green. London: 1659.Google Scholar
Dekker, Thomas, and Wilkins, George. Jests to make you Merie. London: 1607.Google Scholar
Derrida, Jacques. “The Theater of Cruelty and the Closure of Representation.” Trans. Bass, Alan. Writing and Difference. Chicago: U of Chicago P, 1978.Google Scholar
Elyot, Thomas. The dictionary of syr Thomas Eliot knight. London: n.d. [1538].Google Scholar
France, Anatole. “M. Signoret’s Marionettes.” On Life and Letters, Second Series. Trans. Evans, A. W.. The Works of Anatole France. 30 vols. New York: Gabriel Wells, 1924. 27: 137–39.Google Scholar
Greene, Robert. The Life and Complete Works in Prose and Verse of Robert Greene. Ed. Grosart, Alexander B.. 15 vols. 1881–86. Rpt. New York: Russell and Russell, 1966.Google Scholar
Hereford, C. H., and Simpson, Percy, eds. Ben Jonson. 11 vols. Oxford: Clarendon, 1935–63.Google Scholar
Magnin, Charles. Histoire des marionettes en Europe: depuis l’antiquité jusqu’à nos jours. 1861. Rpt. Paris: Slatkin, 1981.Google Scholar
Marston, John. Antonio and Mellida. Ed. Fair, W. Reavley. Manchester: Manchester UP, 1991.Google Scholar
Middleton, Thomas. A Trick to Catch the Old One. Ed. Barber, Charles. Berkeley: U of California P, 1968.Google Scholar
Plato, . The Collected Dialogues of Plato. Ed. Hamilton, Edith and Cairns, Huntington. Princeton: Princeton UP, 1961.Google Scholar
Shaw, Bernard. Shakes versus Shav. Stratford: Lanchester Marionettes, 1949.Google Scholar
Shaw, Bernard. An Unsocial Socialist. New York: Brentano’s, 1911.Google Scholar
Shershow, Scott Cutler. Puppets and “Popular” Culture. Ithaca: Cornell UP, 1995.Google Scholar
Shipley, Joseph. The Origins of English Words: A Discursive Dictionary of Indo-European Roots. Baltimore: Johns Hopkins UP, 1984.Google Scholar
Speaight, George. The History of the English Puppet Theatre. 2nd ed. London: Robert Hale, 1990.Google Scholar

Further reading

Bell, John, ed. Puppets, Masks and Performing Objects. Cambridge: MIT P, 2001.Google Scholar
Blumenthal, Eileen. Puppetry: A World History. New York: Abrams, 2005.Google Scholar
Hedderwick, T. C. H. The Old German Puppet-Play of Doctor Faust. London: 1887.Google Scholar
Jurkowski, Henryk. Aspects of Puppet Theatre: A Collection of Essays. London: Puppet Centre Trust, 1988Google Scholar
Proschan, Frank. “The Semiotic Study of Puppets, Masks, and Performing Objects.” Semiotica 47.1–4 (1983): 3–46.Google Scholar
Teague, Frances. The Curious History of Bartholomew Faire. Lewisburg: Bucknell UP, 1985.Google Scholar
Tillis, Steve. Towards an Aesthetics of the Puppet: Puppetry as a Theatrical Art. Westport: Greenwood, 1992.Google Scholar
Von Boehn, Max. Dolls and Puppets. New York: Cooper Union, 1966.Google Scholar

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