Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
259 - Puppetry
from Part XXVI - Shakespeare and the Performing Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1844 - 1851Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Bell, John. Strings, Hands, Shadows: A Modern Puppet History. Detroit: Institute of Art, 2005.Google Scholar
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Further reading
Jurkowski, Henryk. Aspects of Puppet Theatre: A Collection of Essays. London: Puppet Centre Trust, 1988Google Scholar
Proschan, Frank. “The Semiotic Study of Puppets, Masks, and Performing Objects.” Semiotica 47.1–4 (1983): 3–46.Google Scholar
Teague, Frances. The Curious History of Bartholomew Faire. Lewisburg: Bucknell UP, 1985.Google Scholar
Tillis, Steve. Towards an Aesthetics of the Puppet: Puppetry as a Theatrical Art. Westport: Greenwood, 1992.Google Scholar