Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Introduction
- 149 Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”
- 150 A Midsummer Night’s Dream 3.2: “Lord, what fools these mortals be!”
- 151 Henry V 3.1: “Once more unto the breach”
- 152 Hamlet 3.1: “To be or not to be”
- 153 Macbeth 1.3: “king hereafter!”
- 154 Othello 1.3: “far more fair than black”
- 155 Antony and Cleopatra: Interview with Harriet Walter
- 156 King Lear 5.3: “Never, never, never, never, never”
- 157 Richard III 5.4: “My kingdom for a horse!”
- 158 The Tempest 4.1
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
157 - Richard III 5.4: “My kingdom for a horse!”
from Part XVI - Making the Scene
Published online by Cambridge University Press: 17 August 2019
By
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Introduction
- 149 Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”
- 150 A Midsummer Night’s Dream 3.2: “Lord, what fools these mortals be!”
- 151 Henry V 3.1: “Once more unto the breach”
- 152 Hamlet 3.1: “To be or not to be”
- 153 Macbeth 1.3: “king hereafter!”
- 154 Othello 1.3: “far more fair than black”
- 155 Antony and Cleopatra: Interview with Harriet Walter
- 156 King Lear 5.3: “Never, never, never, never, never”
- 157 Richard III 5.4: “My kingdom for a horse!”
- 158 The Tempest 4.1
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1171 - 1175Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Aune, M. G. “The Uses of Richard III: From Robert Cecil to Nixon.” Shakespeare Bulletin 24.3 (2006): 23–47.Google Scholar
Casey, Jim. “‘Richard’s Himself Again’: The Body of Richard III on Stage and Screen.” Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. Ed. Driver, Martha W. and Ray, Sid. Jefferson: McFarland, 2009. 27–48.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. 2nd ed. Oxford: Clarendon, 2001.Google Scholar
Goy-Blanquet, Dominique. Shakespeare’s Early History Plays: From Chronicle to Stage. Oxford: Oxford UP, 2003.CrossRefGoogle Scholar
Hoenselaars, Ton, ed. Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad. Cambridge: Cambridge University Press, 2004.Google Scholar
Jowett, John. “Introduction.” Richard III. The Oxford Shakespeare. Oxford: Oxford UP, 2000. 1–132.Google Scholar
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Schoch, Richard W. Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century. Cambridge: Cambridge University Press, 2002.Google Scholar
Wagner, Matthew. “A King(dom) for a Stage: The War Body in and as Performance.”The War Body on Screen. Ed. Randell, Karen and Redmond, Sean. New York: Continuum, 2008. 50–63.Google Scholar