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126 - Robert Armin

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Catherine A. Henze
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

The AlchemistAll’s Well That Ends WellAmiensArmin, JohnArmin, Robertartificial foolAs You Like ItAutolycusBalthasarBlackfriars (playhouse)“Blow, Blow, Thou Winter Wind”Blue JohnBuffone, CarloBurbage, RichardChildren of the King’s Majesty’s Revelsclown“Come Away, Come Away, Death”countertenorCurtain (playhouse)Davies, John, of HerefordDogberryDrugger, AbelEvery Man Out of His Humour“Farewell, Dear Heart”FesteFirst ClownFool“Fools Had Ne’er Less Grace”Hall, JosephHamlet“He That Has and a Little Tiny Wit”“Hey Robin”The History of the Two Maids of More-Clacke“Hold Thy Peace”The Italian Taylor, and His Boy“It Was a Lover and His Lass”Jester“Jog On, Jog On”Jonson, BenKemp, WilliamKing Henry VIIIKing Lear“King Salomon”King’s MenLavatchLord Chamberlain’s MenLord ChandosMacbeth“A Maiden Sitting All Alone”The MalcontentMorley, Thomas“Mortall Downe, Thistle Soft”Much Ado about Nothingnatural foolNest of Ninnies“O Mistress Mine”PassarelloPorterQuips Upon Questions, Foole Upon FooleScourge of FollySir TopasTarlton, RichardThersites“Tom Tyler”TouchstoneTroilus and CressidaTutchTwelfth Night“Under the Greenwood Tree”The Valiant Welshman“Was This Fair Face”“What Shall He Have”“When Daffodils Begin to Peer”“When That I Was and-a Little Tiny Boy”The Winter’s Tale
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 948 - 953
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Armin, Robert. Foole Upon Foole, or, Sixe sortes of Sottes. London: 1600.Google Scholar
Armin, Robert. The Historie of the Two Maids of More-Clacke. With the life and simple manner of John in the Hospitall. London: 1609.Google Scholar
Armin, Robert. A Nest of Ninnies. London: 1608.Google Scholar
Armin, Robert. Quips Upon Questions, or, A Clownes conceite on occasion offered. London: 1600.Google Scholar
Davies, John. Scourge of Folly. London: 1611.Google Scholar
Donno, Elizabeth, ed. Twelfth Night. New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2003.Google Scholar
Dusinberre, Juliet. “Topical Forest: Kemp and Mar-text in Arden.” Editing Shakespeare: Essays in Honour of Richard Proudfoot. Ed. Thompson, Ann and McMullan, Gordon. London: Arden Shakespeare, 2003. 239–51.Google Scholar
Elam, Keir, ed. Twelfth Night. London: Arden Shakespeare, 2008.Google Scholar
Hall, Joseph. Virgidemiarum. London: 1597.Google Scholar
Hornback, Robert. The English Clown from the Middle Ages to Shakespeare. Suffolk: D. S. Brewer, 2009.Google Scholar
Johnson, Nora. The Actor as Playwright in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
Jonson, Ben. The Alchemist. London: 1612.Google Scholar
Liddie, Alexander. An Old-Spelling, Critical Edition of “The History of the Two Maids of More-Clacke.” New York: Garland, 1979.Google Scholar
Long, John. Shakespeare’s Use of Music: A Study of the Music and Its Performance in the Original Production of Seven Comedies. Gainesville: U of Florida P, 1955.Google Scholar
Ringler, William. “Shakespeare and His Actors: Some Remarks on King Lear.” Proceedings of the Comparative Literature Symposium 12 (1981): 183–94.Google Scholar
Smith, Bruce, ed. William Shakespeare, Twelfth Night or What You Will: Texts and Contexts. Boston: Bedford/St. Martin’s, 2001.Google Scholar
Sutcliffe, Christopher. “Kemp and Armin: The Management of Change.” Theatre Notebook 50 (1996): 122–34.Google Scholar
Tarlton, Richard. Tarlton’s Jests. London: 1613.Google Scholar
Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.CrossRefGoogle Scholar

Further reading

Felver, Charles. Robert Armin, Shakespeare’s Fool. Kent: Kent State UP, 1961.Google Scholar
Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge: Cambridge University Press, 2004.Google Scholar
Hotson, Leslie. Shakespeare’s Motley. London: Hart-Davis, 1952.Google Scholar
Lindley, David. Shakespeare and Music. London: Thomson Learning, 2006.Google Scholar
Lippincott, H. F., ed. Robert Armin’s “Foole Upon Foole” (1600): A Critical Old-Spelling Edition. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1972.Google Scholar
Seng, Peter. The Vocal Songs in the Plays of Shakespeare. Cambridge: Harvard UP, 1967.CrossRefGoogle Scholar

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