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149 - Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”

from Part XVI - Making the Scene

Published online by Cambridge University Press:  17 August 2019

By
Mariacristina Cavecchi
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Annis, FrancescaAppia, AdolpheArcoreAsbury, KellyAvena, AntonioBandello, MatteoBarry, SprangerBartolini, LorenzoBolle, RobertoBoško and AdmiraBosnian Civil WarBrkić BoškoBrook, PeterBrown, Ford MadoxByron, George GordonCa’ d’OroCalarco, JoeCassell & Co.Castellani, RenatoCibber, SusannaCovent Garden TheatreCraig, Edward GordonCukor, GeorgeCurcurù, EnzoCurtain (playhouse)D’Annunzio, GabrieleDa Porto, LuigiDanes, ClareDaniel, RonDaoud, AnissaDelacroix, EugèneDench, JudiDiCaprio, LeonardoDicksee, Francis BernardDrury Lane TheatreDuke’s CompanyDuse, EleonoraEgan, ChristopherElliott, WilliamEnglish Civil WarEttore, SolimaniFarrah, AbdelFederal Theatre Negro Unit No. 2Fludd, RobertGarrick, DavidGenet, JeanGérard, RolfGielgud, Sir JohnGlobe (playhouse)Harris, MargaretHayez, FrancescoHaymarket TheatreHoward, JamesHussey, OliviaIrving, HenryIsmic, AdmiraIsraeli-Palestinian ConflictJensen, JaneKamerny, TheatrenKaufman, LloydKeenan, WillKleinert, PeterKrejča, OtomarLaChapelle, DavidLeibovitz, AnnieLiminalitiesLorca, Federico GarcíaLuhrmann, BazLyceum TheatreMadden, BillMadden, JohnManhattanMcKellen, IanMichelozzo di Bartolomeo Michelozzo (called Michelozzo)Morera, José MariáMoscowMotleyNaples Teatro StabileNapoli Teatro Festival ItaliaNero, FrancoNeruda, PabloNew Theatreno. 23 Via CappelloNunn, TrevorOld Vic TheatreOtway, ThomasPalazzo Borghese, ArtenaPepys, SamuelPergamo del Sacro Cingolo for the Duomo, PratoPoel, WilliamPrague National TheatrePritchard, HannahPueblo RevoltPyle, RobertQuinn, MarcRauschenberg, RobertRedgrave, VanessaRestoration TheatreRobbins, JeromeRomanoff and JulietRomeo Y JulietaRomey and JulieRoyal Shakespeare CompanySarajevoSchrot, PeterSelfSeyfried, AmandaShaw, Glen ByamShearer, NormaSon de negros en CubaapartheidStoppard, TomStride, JohnSud Side StoriSvoboda, JosefTairov, AlexanderTeatro alla ScalaThalberg, Irving
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1129 - 1136
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Burnett, Mark Thornton. Filming Shakespeare in the Global Marketplace. London: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
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Eccher, Danilo, and Quinn, Marc, eds. Myth. Milan: Charta, 2009.Google Scholar
Fowler, James. “Picturing Romeo and Juliet.” Shakespeare Survey 49 (1996): 111–30.CrossRefGoogle Scholar
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Further reading

Ball, Robert Hamilton. Shakespeare on Silent Film: A Strange Eventful History. London: George Allen and Unwin, 1968.Google Scholar
Derrida, Jacques. “Aphorism Countertime.” Jacques Derrida: Acts of Literature. Ed. Attridge, Derek. New York: Routledge, 1992. 414–34.Google Scholar
Leiter, Samuel L., ed. Shakespeare around the Globe: A Guide to Notable Postwar Revivals. Westport: Greenwood, 1986.Google Scholar
Ross, Charles S. “Underwater Women in Shakespeare on Film.” Shakespeare in Hollywood, Asia and Cyberspace. Ed. Huang, Alexa and Ross, Charles S.. West Lafayette: Purdue UP, 2009. 36–53.CrossRefGoogle Scholar
Watson, J. Nicola. “Shakespeare on the Tourist Trail.” Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 199–226.Google Scholar
Wells, Stanley. “The Challenges of Romeo and Juliet.” Shakespeare Survey 49 (1996): 1–14.Google Scholar

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