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159 - Shakespeare Festivals and Jubilees

from Part XVII - Shakespeare as Cultural Icon

Published online by Cambridge University Press:  17 August 2019

By
Nandini Das
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

BardolatryBoswell, JamesCovent Gardencultural iconcultural pilgrimageDrury Lane Theatereighteenth centuryGarrick, DavidGarrick’s OdeiconicityJubilee Festival 1769memorabiliaOregon Shakespeare FestivalRoyal Shakespeare CompanyShakespeare MythShakespeare’s mulberry treeStratford-upon-Avon
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1196 - 1200
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Boswell, James. “A Letter from James Boswell, Esq; on Shakespeare’s Jubilee at Stratford-upon Avon.” The London Magazine September 1769: 451–54.Google Scholar
Colman, George. Man and Wife, or, The Shakespeare Jubilee. London: 1770.Google Scholar
Deelman, Christian. The Great Shakespeare Jubilee. London: Michael Joseph, 1964.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon, 1992.Google Scholar
Engle, Ron, Londré, Felicia, and Watermeier, Daniel, eds. Shakespeare Companies and Festivals. Westport: Greenwood, 1995.Google Scholar
Garrick, David. The Jubilee. Three Plays by David Garrick. Ed. Stein, Elizabeth P.. New York: William Edwin Rudge, 1926.Google Scholar
Garrick, David. An ode upon dedicating a building, and erecting a statue, to Shakespeare, at Stratford upon Avon. London: 1769.Google Scholar
Gregory the Great. Gregory the Great to Serenus, Bishop of Marseille. Trans. Marmby, J.. A Select Library of Nicene and Post-Nicene Fathers of the Christian Church. 2nd ser. Vol. 13. Ed. Schaff, P. and Wace, H.. New York: Christian Literature Company, 1890–1900.Google Scholar
Hodgdon, Barbara. The Shakespeare Trade: Performances and Appropriations. Philadelphia: Penn, 1998.Google Scholar
Knight, Joseph. David Garrick. London: 1894.Google Scholar
Shakespeare’s Garland, being a collection of new songs, ballads, roundelays, catches, glees, comic-serenatas, &c. performed at the jubilee at Stratford upon Avon. London: 1769.Google Scholar
Stochholm, Johanne. Garrick’s Folly: The Shakespeare Jubilee of 1769 at Stratford and Drury Lane. London: Methuen, 1964.Google Scholar
The Stratford Jubilee. London: 1769.Google Scholar
Walpole, Horace. The Letters of Horace Walpole. Vol. 5. Ed. Cunningham, P.. London: 1861.Google Scholar

Further reading

Brown, Ivor, and Fearon, George. Amazing Monument: A Short History of the Shakespeare Industry. London: Heinemann, 1939.Google Scholar
Cunningham, Vanessa. Shakespeare and Garrick. Cambridge: Cambridge University Press, 2008.Google Scholar
Hawkes, Terence. That Shakespeare Rag: Essays on a Critical Process. London: Methuen, 1986.Google Scholar
Holderness, Graham. “Bardolatry: or, The Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 2–15.Google Scholar
Lynch, Jack. Becoming Shakespeare. London: Constable, 2008.Google Scholar
McIntyre, Ian. Garrick. London: Allen Lane/Penguin, 1999.Google Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. New York: Weidenfield and Nicholson, 1989.Google Scholar

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