Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
146 - Shakespeare in Iberian and Latin American Spanishes
from Part XV - International Encounters
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1101 - 1107Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Boyle, Catherine. “Parra’s Transcription of King Lear: The Transfiguration of the Literary Composition.” Latin American Shakespeares. Ed. Kliman, Bernice W. and Santos, Rick J.. Madison: Fairleigh Dickinson UP, 2005. 112–29.Google Scholar
Cohen, Marcelo. “Nota introductoria” (“Introduction”). Shakespeare por escritores (Shakespeare by Writers). Bogotá: Norma, 1999. (Appears in all volumes in the collection.)Google Scholar
Modenessi, Alfredo Michel. “‘A Double Tongue within Your Mask’: Translating Shakespeare in/to Spanish-speaking Latin America.” Shakespeare and the Language of Translation. Ed. Hoenselaars, Ton. London: The Arden Shakespeare, 2004. 240–54.Google Scholar
Modenessi, Alfredo Michel. “Traducir la alteridad a la alteridad, español mediante. Posibles Shakespeares en Latinoamérica.” Escrituras de la traducción hispánica. Ed. Zondek, Verónica and de Zárate, Amalia Ortiz. Valdivia: Universidad Austral de Chile and Ediciones Kultrún, 2009. 39–70.Google Scholar
Further reading
Bassnett, Susan, and Trivedi, Harish, eds. Post-colonial Translation: Theory and Practice. London: Routledge, 1999.Google Scholar
Catelli, Nora, and Gargatagli, Marietta, eds. El tabaco que fumaba Plinio. Escenas de la traducción en España y América: relatos, leyes y reflexiones sobre los otros. Barcelona: Ediciones del Serbal, 1998.Google Scholar
De Campos, Haroldo. De la razón antropofágica y otros ensayos. Ed. and trans. Mata, Rodolfo. Mexico City: Siglo XXI, 2000.Google Scholar
Hoenselaars, Ton, ed. Shakespeare and the Language of Translation. London: Arden Shakespeare, 2004.Google Scholar
Homem, Rui C., and Hoenselaars, Ton, eds. Translating Shakespeare for the Twenty-first Century. Amsterdam: Rodopi, 2004.CrossRefGoogle Scholar
Kliman, Bernice W., and Santos, Rick J., eds. Latin American Shakespeares. Madison: Fairleigh Dickinson UP, 2005.Google Scholar
Mooneeram, Roshni. From Creole to Standard: Shakespeare, Language, and Literature in a Postcolonial Context. Amsterdam: Rodopi, 2009.Google Scholar
Pujante, Ángel-Luis. “The Schlegel Model and Shakespearean Translation in Spain.” Lengua, traducción, recepción. En honor de Julio César Santoyo. Ed. Rabadán, Rosa, Guzmán, Trinidad, and Fernández, Marisa. León: Universidad de León, 2010. 541–53.Google Scholar
Zaro, Juan-Jesús. Shakespeare y sus traductores. Análisis crítico de siete traducciones españolas de obras de Shakespeare. Bern: Peter Lang, 2007.CrossRefGoogle Scholar
Zondek, Verónica, and de Zárate, Amalia Ortiz, eds. Escrituras de la traducción hispánica. Valdivia: Universidad Austral de Chile and Ediciones Kultrún, 2009.Google Scholar