Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-26T16:06:19.305Z Has data issue: false hasContentIssue false

241 - Shakespeare into Fiction

from Part XXIV - Shakespeare and the Book

Published online by Cambridge University Press:  17 August 2019

By
Diana Henderson
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

All for LoveAmerican ShakespeareAurora FloydBetween the ActsBottom the WeaverBraddon, Mary ElizabethCardenio“Circe”/NighttownThe Confidence-ManCymbelineDavenant, WilliamDavid CopperfieldDickens, Charlesdistance from Shakespearedouble falsehoodDryden, JohnErickson, Peterfeminist theatrical adaptationsFletcher, JohnGreat ExpectationsHamletThe Heart of MidlothianHe Knew He Was RightIndigoJohn, JulietJoyce, JamesKenilworthKing LearLocke, MatthewMacbethMama DayMaus, KatherineMelville, HermanMoby DickmusicalsMrs. Ramsaynarrative/storytellingThe Nature of BloodNaylor, GloriaOthelloPhillips, CarylPolitics of Adaptationpopular fictionpostmodernismquotationRestoration adaptationsRomanticismRosencrantz and Guildenstern Are DeadScott, Sir WalterShakespeare as characterShakespeare as transcendentSonnetsspin-offsStoppard, Tomstructural allusionTate, NahumThe Tempest, or The Enchanted IslandTheobald, LewisTimon of AthensTo The LighthousetranslationsTrollope, AnthonyTwelfth NightUlyssesWarner, MarinaThe Woman’s Prize, or The Tamer TamedThe Women of Brewster Placewomen writersWoolf, Virginia
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1707 - 1715
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Beck, Richard. “Hamlet and the Region of Death: What Franco Moretti Found by Turning Shakespeare into Data.” Boston Globe 29 May 2011. http://archive.boston.com/bostonglobe/ideas/articles/2011/05/29/hamlet_and_the_region_of_death/.Google Scholar
Braddon, Mary Elizabeth. Aurora Floyd. Ed. Nemesvari, Richard and Surridge, Lisa. Toronto: Broadview, 1998.Google Scholar
Di Battista, Maria. Virginia Woolf’s Major Novels: The Fables of Anon. New Haven: Yale UP, 1980.Google Scholar
Erickson, Peter. Rewriting Shakespeare, Rewriting Ourselves. Berkeley: U of California P, 1991.CrossRefGoogle Scholar
Fox, Alice. Virginia Woolf and the Literature of the English Renaissance. Oxford: Clarendon, 1990.CrossRefGoogle Scholar
Glavin, John. “‘To Make the Situation Natural’: Othello at Mid-century.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 30–45.CrossRefGoogle Scholar
Henderson, Diana. Collaborations with the Past: Rewriting Shakespeare across Time and Media. Ithaca: Cornell UP, 2006.Google Scholar
John, Juliet. “Dickens and Hamlet.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 46–60.Google Scholar
Joyce, James. Ulysses. New York: Vintage, 1961.Google Scholar
Marshall, Gail, and Poole, Adrian, eds. Victorian Shakespeare. Vol. 2: Literature and Culture. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Maus, Katherine Eisaman. “Arcadia Lost: Politics and Revision in the Restoration Tempest.” Renaissance Drama 13 (1982): 189–209.CrossRefGoogle Scholar
Melville, Herman. The Confidence-Man: His Masquerade. Stilwell: Digireads.com, 2008. http://books.google.com/books?id=SJEqjEtRXtgC.Google Scholar
Melville, Herman. Moby Dick; or the Whale. [n.p.]: Forgotten Books, 2008. http://books.google.com/books?id=iqbHsfS5UW8C.CrossRefGoogle Scholar
Sir Scott, Walter. The Heart of Midlothian. Ed. Lamont, Claire. Oxford: Oxford UP, 1982.Google Scholar
Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. New York: Grove Weidenfeld, 1967.Google Scholar
Woolf, Virginia. Orlando: A Biography. New York: Harcourt, Brace, Jovanovich, 1956.Google Scholar
Woolf, Virginia. To the Lighthouse. Harvest/HBJ edition. New York: Harcourt Brace Jovanovich, 1989.Google Scholar

Further reading

Bristol, Michael D. Big-Time Shakespeare. London: Routledge, 1996.Google Scholar
Fischlin, Daniel, and Fortier, Mark. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge, 2000.Google Scholar
Howard, Jean E., and O’Connor, Marion F., eds. Shakespeare Reproduced: The Text in History and Ideology. New York: Routledge, 1990.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.Google Scholar
Massai, Sonia, ed. World-wide Shakespeares: Local Appropriations in Film and Performance. London: Routledge, 2005.Google Scholar
Novy, Marianne, ed. Cross-Cultural Performances: Differences in Women’s Re-Visions of Shakespeare. Urbana: U of Illinois P, 1993.Google Scholar
Shaughnessy, Robert, ed. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Warner, Marina. Indigo. New York: Simon and Schuster, 1992.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×