Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
143 - Shakespeare Societies
from Part XV - International Encounters
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
ConstitutionDeutsche OperDeutsche Shakespeare-GesellschaftDogberry ClubElgin Shakespeare SocietyFirst FolioGalpin Shakespeare ClubInternational Shakespeare AssociationMary Arden Shakespeare ClubMembershipNatick Shakespeare ClubNational Sunday LeagueNew Shakespeare SocietyOctagonal Shakespeare SocietyReading ClubSelf-improvementShakespeare Birthplace TrustThe Shakespeare ClubShakespeare-JahrbuchShakespeare SocietiesThe Shakespeare SocietyShakespeare-TageShakespeare’s BirthplaceShakespeare’s LadiesSociété Française ShakespeareStratford Club of Concord, New HampshireStratford upon AvonSunday Shakespeare SocietyTercentenaryWorld Shakespeare Congress
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1077 - 1084Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
(Sources with an asterisk indicate pamphlets and leaflets held at The Shakespeare Centre, Stratford-upon-Avon.)
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Further reading
Almeida, Barbara Heliodora C. de M. F.. “Shakespeare in Brazil.” Shakespeare Survey 20 (1967): 121–24. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL0521069009.013. Accessed 11 February 2011.Google Scholar
Axelrad, A. José. “Shakespeare’s Impact Today in France.” Shakespeare Survey 16 (1963): 53–56. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL0521064295.006. Accessed 11 February 2011.Google Scholar
Clayton, Tom, Brock, Susan, and Forés, Vicente, eds. Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001. Newark: U of Delaware P, 2004.Google Scholar
Delabastita, Dirk, De Vos, Jozef, and Franssen, Paul, eds. Shakespeare and European Politics. Newark: U of Delaware P, 2008.Google Scholar
Falk, Robert. “Shakespeare in America: A Survey to 1900.” Shakespeare Survey 18 (1965): 102–18. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL0521064317.010. Accessed 11 February 2011.Google Scholar
Fotheringham, Richard, Jansohn, Christa, and White, R. S., eds. Shakespeare’s World/World Shakespeares: The Selected Proceedings of the International Shakespeare Association World Congress, Brisbane, 2006. Newark: U of Delaware P, 2008.Google Scholar
Hattaway, Michael, Sokolova, Boika, and Roper, Derek, eds. Shakespeare in the New Europe. Sheffield: Continuum, 1994.Google Scholar
Kishi, Tetsuo, Pringle, Roger, and Wells, Stanley, eds. Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare World Congress, Tokyo, 1991. Newark: U of Delaware P, 1994.Google Scholar
Loomba, Ania, and Orkin, Martin, eds. Postcolonial Shakespeares. London: Routledge, 1998.Google Scholar
Mehl, Dieter. Eine historische Episode: Die Wiedervereinigung der Deutschen Shakespeare-Gesellschaft. Münster: Studien zur englische Literatur, 2013.Google Scholar
Paolucci, Ann. “Shakespeare as a World Figure: Translation and Performance around the World.” William Shakespeare: His World, His Work, His Influence. Ed. Andrews, John F.. 3 vols. New York: Scribner, 1985. 3: 663–80.Google Scholar
Pujante, Angel Luis, and Hoenselaars, Ton, eds. Four Hundred Years of Shakespeare in Europe. With a Foreword by Wells, Stanley. Newark: U of Delaware P, 2003.Google Scholar
Trivedi, Poonam, and Bartholmeusz, Denis, eds. India’s Shakespeare: Translation, Interpretation and Performance. Delhi: Pearson Longman, 2005.Google Scholar