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59 - Tapestries

from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Alberti, Leon Battista. Ten Books on Architecture. Ed. Rykwert, Joseph. London: Alec Tiranti, 1965. Book 5, Chapters 3 and 4.Google Scholar
Beloserskaya, Marina. Luxury Arts of the Renaissance. London: Thames and Hudson, 2005.Google Scholar
Besant, Walter. London in the Time of the Tudors. London: A & C Black, 1904.Google Scholar
Campbell, Thomas P. Henry VIII and the Art of Majesty. New Haven: Yale UP, 2007.Google Scholar
Campbell, Thomas P.How Medieval and Renaissance Tapestries Were Made.” Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/tapm/hd_tapm.htm (February 2008).Google Scholar
Campbell, Thomas P. Tapestry in the Renaissance: Art and Magnificence. New York: The Metropolitan Museum of Art and Yale UP, 2002.Google Scholar
Sir Elyot, Thomas. The Boke named the Govenour. London: 1531.Google Scholar
Giustinian, Sebastian. October 10, 1519 [CSP 1287].Google Scholar
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Harrison, William. The Description of England. Ed. Edelen, Georges. Ithaca: Cornell UP, 1968.Google Scholar
Levey, Santina M. Elizabethan Treasures: The Hardwick Hall Tapestries. London: The National Trust, 1998.Google Scholar
Nichols, John. The Progresses and Public Processions of Queen Elizabeth I (London: 1823). 3 vols. Rpt. New York: Burt Franklin, 1960.Google Scholar
Skelton, John. “Colin Cloute.” The Complete Poems. Ed. Scattergood, John. New Haven: Yale UP, 1983.Google Scholar
Standen, Edith. “Studies in the History of Tapestry, 1520–1790.” Apollo 114 (1981): 654.Google Scholar
Starkey, David, ed. Henry VIII: A European Court in England. New York: Cross River, 1991.Google Scholar
Weil-Garris, Kathleen, and d’Amico, John F.. “The Renaissance Cardinal’s Ideal Palace, a Chapter from Cortesi’s De Cardinaltu.” Memoirs of the American Academy in Rome 35 (1980): 45123.CrossRefGoogle Scholar

Further reading

Bell, Susan Groag. The Lost Tapestries of the City of Ladies: Christine de Pizan’s Renaissance Legacy. Berkeley: U of California P, 2004.CrossRefGoogle Scholar
Delmarcel, Guy. Flemish Tapestry. London: Thames and Hudson, 1999.Google Scholar
Grove Art Online. Gen. ed. Courtright, Nicola. Oxford University Press. www.oxfordartonline.com. §XI: Textiles XI. Textiles.1.Tapestry. (i) Before 1590.Google Scholar
Smith, Bruce. The Key of Green: Passion and Perception in Renaissance Culture. Chicago: U of Chicago P, 2009.Google Scholar

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