Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
147 - Tercentenary Shakespeare: Britain and the United States, 1916
from Part XV - International Encounters
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1107 - 1114Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Askew, Fred. Shakespeare Tercentenary Souvenir: England’s Thoughts in Shakespeare’s Words. Lowestoft: Flood and Son, [1916].Google Scholar
Bittinger, Lyle M., et al. The Book of Shakespeare, The Playmaker, Written in Collaboration by Twenty Students of The University of North Dakota, Under the Direction of Professor Frederick H. Koch of the Department of English, Designed for the Shakespeare Tercentenary Commemoration by The Sock and Buskin Society, for Presentation at The Bankside Theatre on the Campus of The University of North Dakota. Grand Forks: U of North Dakota, 1916. Rpt. from The Quarterly Journal of the University of North Dakota 6.4 (July 1916).Google Scholar
Blair, Karen J. The Torchbearers: Women and Their Amateur Arts Associations in America, 1890–1930. Bloomington: Indiana UP, 1994.Google Scholar
Burton, Richard. “And Not Properly Presented, Even Today. The Star System, the Entr’acte Convention, the Attempt to Treat Poetry as Prose, All Stand in the Way.” Tercentenary Shakespearean Supplement of the New York Times 2 April 1916: RP5.Google Scholar
Calvo, Clara. “Shakespeare as War Memorial: Remembrance and Commemoration in the Great War.” Shakespeare Survey 63 (2010): 198–211.Google Scholar
Carroll, Armond. A Pageant and Masque for the Shakespeare Tercentenary. Atlanta: Atlanta Center, Drama League of America, 1916.Google Scholar
Cartelli, Thomas. Repositioning Shakespeare: National Formations, Postcolonial Appropriations. London: Routledge, 1999.Google Scholar
Chubb, Percival. “The Shakespeare Tercentenary: Developments of the Plan for a Nation-wide Celebration.” The Drama: A Quarterly Review of Dramatic Literature 19 (August 1915): 531–36.Google Scholar
Colmer, Francis. Shakespeare in Time of War: Excerpts from the Plays Arranged with Topical Allusion. London: Smith, Elder, 1916.Google Scholar
Conant, Isabelle Fiske. Will o’ the World: A Shakespearean Tercentenary Masque. [Wellesley: Mangus Printing], 1916.Google Scholar
Douglas, Lord Alfred. Shakespeare’s Tercentenary: A Masque. Folger Shakespeare Library, manuscript Y.d. 535, no. 3, typescript Y.d. 535, no.4, n.d.Google Scholar
Drama League of America. The Shakespeare Tercentenary: Suggestions for School and College Celebrations of the Tercentenary of Shakespeare’s Death in 1916. Ed. Chubb, Percival. Washington: National Capital Press, n.d.Google Scholar
Fitch, Clara. “The Shakespeare Tercentenary – The League’s Greatest Achievement.” Drama League of America Monthly Bulletin, Special Convention Number 1.1 (April 1916): 21–23.Google Scholar
Foulkes, Richard. Performing Shakespeare in the Age of Empire. Cambridge: Cambridge University Press, 2002.Google Scholar
Gilmer, Albert Hatton. King Shakespeare: A Masque of Praise for the Shakespeare Tercentenary. Boston: Ginn, 1916.Google Scholar
Guppy, Henry, ed. The John Rylands Library, Manchester: Catalogue of an Exhibition of the Works of Shakespeare, His Sources, and the Writings of His Principal Contemporaries. With an Introductory Sketch, and Sixteen Facsimiles. Manchester: Manchester UP; London: Longmans, Green; London: Bernard Quaritch, 1916.Google Scholar
Guterl, Matthew Pratt. The Color of Race in America, 1900–1940. Cambridge: Harvard UP, 2001.CrossRefGoogle Scholar
Higham, John. Strangers in the Land: Patterns of American Nativism, 1860–1925. New York: Atheneum, 1955. Rpt. 1963.Google Scholar
Hochheimer, Rita. “He Has Become ‘Part and Parcel of the Intellectual Equipment of Every German’.” Tercentenary Shakespearean Supplement of the New York Times 16 April 1916: RP4.Google Scholar
Holderness, Graham. “Shakespeare-land.” This England, That Shakespeare: New Angles on Englishness and the Bard. Ed. Maley, Willy and Tudeau-Clayton, Margaret. Farnham: Ashgate, 2010. 201–19.Google Scholar
“Instructive Pageants.” Unattributed newspaper cutting, n.d., Shakespeare Tercentenary, 1864, Scrapbook B.122.2c, Folger Shakespeare Library.Google Scholar
Kahn, Coppélia. “Caliban at the Stadium: Shakespeare and the Making of Americans.” Massachusetts Review 41.2 (2000): 256–84.Google Scholar
Kahn, Coppélia. “Remembering Shakespeare Imperially: The 1916 Tercentenary.” Shakespeare Quarterly 52.4 (2001): 456–78.CrossRefGoogle Scholar
Langdon, William Chauncy. In Honor of Shakespeare: A Dramatic Tribute for the Shakespeare Tercentenary Celebration of Indiana University, at Bloomington, Indiana, April Twenty Sixth Nineteen Sixteen. Bloomington: Indiana U, 1916.Google Scholar
MacKaye, Percy. “Preface.” Program of the Community Masque Caliban by the Yellow Sands, by Percy MacKaye. New York: Shakespeare Tercentenary Celebration Committee, 1916. xiii–xxviii.Google Scholar
Macmillan, Frederick, and Poynter, Edward, eds. A Tribute to the Genius of William Shakespeare, Being the Programme of a Performance at Drury Lane Theatre on May 2, 1916, the Tercentenary of His Death. London: Macmillan, 1916.Google Scholar
Manchester Schools. Songs and Recitations in Commemoration of the Shakespeare Tercentenary by Shakespearean Students and Pupils in Manchester Schools. 3rd ed. Manchester: Tercentenary Association, 1916.Google Scholar
Moderwell, Hiram Kelly. “The Playwright Who Has the Largest Audiences.” New York Times 19 December 1915: X9.Google Scholar
Periwinkle, Pauline. “Tercentenary of Death of Shakespeare in April.” Dallas Morning News 3 April 1916: 13.Google Scholar
Rawnsley, H. D. Shakespeare: A Tercentenary Sermon. London: Skeffington and Son, 1916.Google Scholar
Roberts, Mary Fanton. “Shakespeare – The Man of Wisdom: Our National Celebration in His Honor.” Craftsman 29.4 (January 1916): 347–63.Google Scholar
“Shakespeare Masque Reading.” New York Globe and Commercial Advertiser 5 January 1916, 2.Google Scholar
Shakespeare Tercentenary Committee. Shakespeare Tercentenary Observance in the Schools and Other Institutions. London: Geo. W. Jones, 1916.Google Scholar
“Shakespeare. Tributes from Many Nations. Mansion House Meeting.” The Times (London) 2 May 1916: 6.Google Scholar
Smialkowska, Monika. “‘A Democratic Art at a Democratic Price’: American Celebrations of the Shakespeare Tercentenary, 1916.” Transatlantica no. 1 (2010). http://transatlantica.revues.org/4787.Google Scholar
Smialkowska, Monika. “Shakespeare and ‘Native Americans’: Forging Identities through the 1916 Shakespeare Tercentenary.” Critical Survey 22.2 (2010): 76–90.CrossRefGoogle Scholar
Snider, Denton J. The Shakespeariad: Souvenir of the Tercentenary of Shakespeare’s Death-day, April 23rd, 1916; A Dramatic Epos. St. Louis: Sigma, [1916].Google Scholar
Sturgess, Kim C. Shakespeare and the American Nation. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1990.Google Scholar
Wellstood, Frederick C., ed. Shakespeare Tercentenary Commemoration, 1616–1916. Shakespeare’s Birthplace. Catalogue of an Exhibition of Original Documents of the XVIth and XVIIth Centuries Preserved in Stratford-upon-Avon, Illustrating Shakespeare’s Life in the Town, with Appended Lists of Facsimiles Belonging to the Trustees of Contemporary Shakespearean Documents which Are Preserved Elsewhere. Introd. Lee, Sidney. Stratford-upon-Avon: Edward Fox and Son, 1916.Google Scholar
Further reading
Bristol, Michael D. Shakespeare’s America, America’s Shakespeare. London: Routledge, 1990.Google Scholar
Glassberg, David. American Historical Pageantry: The Uses of Tradition in the Early Twentieth Century. Chapel Hill: U of North Carolina P, 1990.Google Scholar
Habicht, Werner. “Shakespeare Celebrations in Times of War.” Shakespeare Quarterly 52.4 (2001): 441–45.CrossRefGoogle Scholar
Holderness, Graham. Cultural Shakespeare: Essays in the Shakespeare Myth. Hatfield: U of Hertfordshire P, 2001.Google Scholar
Joughin, John J., ed. Shakespeare and National Culture. Manchester: Manchester UP, 1997.Google Scholar
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge: Harvard UP, 1988.Google Scholar
Riley, Alice C. D. The Lover’s Garden: A Flower Masque, Arranged from Shakespeare for the Tercentenary. The Drama 20 (November 1915): 695–714.Google Scholar