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116 - Thomas Kyd

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bate, Jonathan. “The Performance of Revenge: Titus Andronicus and The Spanish Tragedy.” The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550–1642). Ed. Laroque, François. 2 vols. Montpellier: Université Paul-Valéry, 1992. 2: 267–84.Google Scholar
Craig, Hugh, and Kinney, Arthur F., eds. Shakespeare, Computers and the Mystery of Authorship. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Edwards, Philip. Thomas Kyd and Early Elizabethan Tragedy. London: Longman, 1966.Google Scholar
Erne, Lukas. Beyond “The Spanish Tragedy”: A Study of the Works of Thomas Kyd. Manchester: Manchester UP, 2001.Google Scholar
Freeman, Arthur. “Marlowe, Kyd and The Dutch Church Libel.” English Literary Renaissance 3 (1973): 4452.CrossRefGoogle Scholar
Freeman, Arthur. Thomas Kyd: Facts and Fiction. Oxford: Clarendon, 1967.Google Scholar
Fuzier, Jean. “Carrière et Popularité de la ‘Tragedie Espagnole’ en Angleterre.” Dramaturgie et Société: Rapports entre l’oeuvre théâtrale, son interprétation et son public aux XVIe et XVIIe siècles. Ed. Jacquot, Jean. 2 vols. Paris: Éditions du Centre National de la Recherche Scientifique, 1968. 2: 589606.Google Scholar
Shapiro, James. “‘Tragedies Naturally Performed’: Kyd’s Representation of Violence. The Spanish Tragedy (c.1587).” Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Ed. Kastan, David S. and Stallybrass, Peter. London: Routledge, 1991. 99113.Google Scholar
Smith, Emma, ed. Thomas Kyd, The Spanish Tragedy. London: Penguin, 1998.Google Scholar
Smith, Molly Easo. “The Theater and the Scaffold: Death as Spectacle in The Spanish Tragedy.” Studies in English Literature, 1500–1900 32 (1992): 217–32.CrossRefGoogle Scholar
Wells, Stanley. Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. London: Penguin, 2006.Google Scholar

Further reading

Ardolino, Frank. Apocalypse and Armada in Kyd’s “Spanish Tragedy.” Sixteenth Century Journal. Kirksville: Northeast Missouri State University, 1995.Google Scholar
Díaz-Fernández, José Ramón. “Thomas Kyd: A Bibliography, 1966–1992.” Bulletin of Bibliography 52.1 (1995): 113.Google Scholar
Edwards, Philip. “Shakespeare and Kyd.” Shakespeare, Man of the Theater: Proceedings of the Second Congress of the International Shakespeare Association, 1981. Ed. Muir, Kenneth, Halio, Jay L., and Palmer, D. J.. Newark: U of Delaware P, 1983. 148–54.Google Scholar
Hattaway, Michael. Elizabethan Popular Theatre: Plays in Performance. London: Routledge, 1982.Google Scholar
Hill, Eugene. “Senecan and Vergilian Perspectives in The Spanish Tragedy.” English Literary Renaissance 15 (1985): 143–65.CrossRefGoogle Scholar
Hunter, G. K.Ironies of Justice in The Spanish Tragedy.” Renaissance Drama 8 (1965): 89104.CrossRefGoogle Scholar
Kyd, Thomas. The Works of Thomas Kyd. Ed. Boas, Frederick Samuel. Oxford: Clarendon, 1901. Rpt. with supplement, 1955.Google Scholar
Levin, Henry. “‘Vindicta Mihi!’: Meaning, Morality and Motivation in The Spanish Tragedy.” Studies in English Literature, 1500–1900 4 (1964): 307–24.Google Scholar
Siemon, James. “Sporting Kyd.” English Literary Renaissance 24 (1994): 553–83.Google Scholar

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