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188 - Translating Shakespeare for the Screen

from Part XIX - Translation

Published online by Cambridge University Press:  17 August 2019

By
Nicolas Sanchez
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

cinemaCohen, JacquelinedubbingfilmFrenchHamletsubtitlingtranslation
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1369 - 1375
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Chaume, Frederic. “Synchronization in Dubbing.” Topics in Audiovisual Translation. Ed. Orero, Pilar. Amsterdam: Benjamins, 2004. 35–52.CrossRefGoogle Scholar
Díaz Cintas, Jorge, and Remael, Aline. Audiovisual Translation: Subtitling. Manchester: St Jerome, 2007.Google Scholar
Hamlet. Dir. Branagh, Kenneth. Perf. Kenneth Branagh, Kate Winslet, Julie Christie, and Derek Jacobi. 1996. Original French subtitles on the videocassette: Gaumont Columbia Tristar Home Video, 1998. French dubbing on the DVD: Warner Home Video, 2007.Google Scholar
Henry V. Dir. Branagh, Kenneth. Perf. Kenneth Branagh, Emma Thompson, Judi Dench, and Brian Blessed. 1989. French dubbing and subtitles on the videocassettes: Nouvelle Messagerie Video, 1991.Google Scholar
Honigmann, E. A. J. “Shakespeare’s Bombast.” Shakespeare’s Styles: Essays in Honour of Kenneth Muir. Ed. Edwards, Philip, Ewbank, Inga-Stina, and Hunter, G. K.. Cambridge: Cambridge University Press, 1980. 151–62.Google Scholar
Much Ado about Nothing. Dir. Branagh, Kenneth. Perf. Kenneth Branagh, Emma Thompson, Denzel Washington, and Richard Briers. 1993. Original French subtitles on the videocassette: Fox Video, 1994. German dubbing and new French subtitles on the DVD: Fox Pathe Europa on behalf of MGM, 2005.Google Scholar
Reid, Helene. “Literature on the Screen: Subtitle Translating for Public Broadcasting.” Something Understood: Studies in Anglo-Dutch Literary Translation. Ed. D’haen, Theo and Westerweel, Bart. Amsterdam: Rodopi, 1990. 97–107.CrossRefGoogle Scholar
Sanchez, Nicolas. L’Etoffe dont Sont Faits les Sous-Titres: Traduire William Shakespeare à l’Ecran (Such stuff as Subtitles are Made on). Unpublished PhD thesis. Université de Nice-Sophia-Antipolis, Nice, 2009.Google Scholar
Sellent Arús, Joan. “Shakespeare doblat: Molt soroll per res, de Kenneth Branagh.” Congrés Intemacional sobre Traducció, Bellaterra, UAB. Vol. 2. Barcelona: Universitat Autònoma de Barcelona, 1997. 267–79.Google Scholar
Soncini, Sara. “Shakespeare and Its Dubble: Cultural Negotiations in Italian Audio-visual Transfers of Henry V.” Textus – English Studies in Italy 15.1 (2002): 163–86.Google Scholar
Titus. Dir. Taymor, Julie. Perf. Anthony Hopkins, Jessica Lange, Alan Cumming, and Jonathan Rhys Meyers, 1999. French subtitles on the DVD: Opening, 2001.Google Scholar

Further reading

Anselmi, Michela. “Metamorfosi di un Testo: Transposizione e Doppiaggio di ‘Much ado about nothing’ nel film di Kenneth Branagh.” Quaderni di Doppiagio 2. Ed. Astori, Bruno Paolo. Finale Ligure: Voci nell’ Ombra. 1999. 15–52.Google Scholar
Baker, Mona. Routledge Encyclopedia of Translation Studies. London: Routledge, 1998.Google Scholar
Delabastita, Dirk. “Translation and Mass-communication: Film and T.V. Translation as Evidence of Cultural Dynamics.” Babel 35.4 (1989): 193–218.Google Scholar
Delabastita, Dirk, and Lambert, José. “La Traduction de Textes Audiovisuels: Modes et Enjeux Culturels.” Les transferts linguistiques dans les médias audiovisuels. Ed. Gambier, Yves. Villeneuve d’Ascq: Presses Universitaires du Septentrion, 1996. 33–58.Google Scholar
Déprats, Jean-Michel. “‘I Cannot Speak your England’: Sur Quelques Problèmes de Traduction d’Henry V.” Shakespeare et la France. Ed. Dorval, Patricia and Maguin, Jean-Marie. Paris: Société Française Shakespearienne, 2000.Google Scholar
Déprats, Jean-Michel. “Traduire Shakespeare – Pour une Poétique Théâtrale de la Traduction Shakespearienne.” Tragédies. Ed. Déprats, Jean-Michel and Venet, Gisèle. Paris: Gallimard, 2002.Google Scholar
Egoyan, Atom, and Balfour, Ian, eds. Subtitles: On the Foreignness of Film. Cambridge: MIT P, 2004.Google Scholar
Gambier, Yves. “Traduction audiovisuelle: défis présents et à venir.” Traduction spécialisée: pratiques, théories, formation. Ed. Lavault-Olleon, Elisabeth. Berne: Peter Lang, 2007. 149–64.Google Scholar
Gottlieb, Henrik. “Multidimensional Translation: Semantics Turned Semiotics.” MuTra 2005 – Challenges of Multidimensional Translation: Conference Proceedings. Ed. Gerzymisch-Arbogast, Heidrun and Nauert, Sandra. Saarbrücken: Mutra, 2005.Google Scholar
Kay, Niel, and de Linde, Zoé. The Semiotics of Subtitling. Manchester: St Jerome, 1999.Google Scholar
Koloszar, Claudia. “Übersetzen und Film – Probleme der Filmsynchronisation am Beispiel von Henry V.” Traduzione multimediale per il cinema, la televisione e la scena. Atti del Convegno. Ed. Bosinelli, Rosa Maria Bollettieri and Heiss, Christine. Bologna: Clueb, 1996. 161–67.Google Scholar
Paquin, Robert. “In the Footsteps of Giants: Translating Shakespeare for Dubbing.” Translation Journal 5.3 (July 2001). http://www.bokorlang.com/journal/17dubb.htm.Google Scholar
Soncini, Sara. “Re-locating Shakespeare: Cultural Negotiations in Italian Dubbed Versions of Romeo and Juliet.” Performing National Identity. Ed. Pfister, Manfred and Hertel, Ralf. Amsterdam: Rodopi, 2008. 235–48.Google Scholar

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