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202 - Visual Projections

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

By
Thomas Cartelli
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

closed-circuit TV (CCTV)computer-generated imagery (CGI)electronovisionintermediaLaterna Magikalive feedlivenesslive relaymultimediapolyscenicprojection designremediationscenographytheatergraphtheatrofilm
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1467 - 1474
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further Reading

Auslander, Philip. Liveness: Performance in a Mediatized Culture. London: Routledge, 1999.Google Scholar
Baugh, Christopher. Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. New York: Palgrave Macmillan, 2005.Google Scholar
Bolter, J. David, and Grusin, Richard. Remediation: Understanding New Media. Cambridge: MIT P, 2000.Google Scholar
Burian, Jarka M. “Josef Svoboda: Theatre Artist in an Age of Science.” Educational Theatre Journal 22.2 (May 1970): 123–45.Google Scholar
Burian, Jarka M. “Josef Svoboda’s Scenography for Shakespeare.” Cross Currents 3 (1984): 397–403.Google Scholar
Callens, J., ed. The Wooster Group and Its Traditions. Bern: Peter Lang, 2002.Google Scholar
Carlson, Marvin. “Video and Stage Space: Some European Perspectives.” Modern Drama 46.4 (2003): 614–27.Google Scholar
Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge: MIT P, 2007.CrossRefGoogle Scholar
Dobson, Michael. “Shakespeare Performances in England, 2003.” Shakespeare Survey 57 (2004): 258–89.CrossRefGoogle Scholar
Ebrahimian, Babak A. The Cinematic Theater. Lanham: Scarecrow, 2004.Google Scholar
Fischlin, Daniel, ed. OuterSpeares: Shakespeare: Intermedia, and the Limits of Adaptation. Toronto: U Toronto P, 2014.Google Scholar
Jones, Robert Edmond. The Dramatic Imagination. New York: Theatre Arts Books, 1941.Google Scholar
Svoboda, Josef. “Laterna Magika.” Tulane Drama Review 11.1 (1966): 141–49.Google Scholar
Worthen, W. B. “Hamlet at Ground Zero: The Wooster Group and the Archive of Performance.” Shakespeare Quarterly 59.3 (2008): 303–22.Google Scholar

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