Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-27T07:03:12.623Z Has data issue: false hasContentIssue false

124 - William Kemp

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Nora Johnson
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

Burbage, RichardclowndancerdancingfoolGlobe (playhouse)jigKemp, WilliamLord Chamberlain’s Men
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 939 - 942
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Baskerville, Charles Read. The Elizabethan Jig and Related Song Drama. 1929. Rpt. New York: Dover, 1965.Google Scholar
Butler, Martin. “Kemp, William (d. in or after 1610?).” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004. Online edition, 2011. http://www.oxforddnb.com/view/article/15334. Accessed 13 June 2011.Google Scholar
Duncan-Jones, Katherine. “Shakespeare’s Dancing Fool.” Times Literary Supplement 13 August 2010.Google Scholar
Forrest, John. The History of Morris Dancing, 1458–1750. Toronto: U of Toronto P, 1999.Google Scholar
Hornback, Robert. The English Clown Tradition from the Middle Ages to Shakespeare. Cambridge: D. S. Brewer, 2009.Google Scholar
Johnson, Nora. The Actor as Playwright in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
Kemp, William. Kemps nine daies wonder Performed in a daunce from London to Norwich. London: 1600.Google Scholar
Nungezer, Edwin. A Dictionary of Actors and of other Persons Associated with the Public Representation of Plays in England before 1642. New York: AMS Press, 1929. Rpt. 1971.Google Scholar
Thomson, Peter. “Clowns, Fools and Knaves: Stages in the Evolution of Acting.” Origins to 1660. Ed. Milling, Jane and Thomson, Peter. Cambridge: Cambridge University Press, 2004. Cambridge Histories Online. Cambridge: Cambridge University Press. http://universitypublishingonline.org/cambridge/histories/. Accessed 13 June 2011. DOI:10.1017/CHOL9780521650403.017.Google Scholar
Thomson, Peter. On Actors and Acting. Exeter: U of Exeter P, 2000.Google Scholar
West, William. “When Is the Jig Up – And What Is It Up To?” Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing. Ed. Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew. Burlington: Ashgate, 2009. 201–16.Google Scholar
Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.CrossRefGoogle Scholar

Further reading

Clegg, Roger, and Thomson, Peter. “‘He’s for a jig or a tale of bawdry–’: Notes on the English Dramatic Jig.” Studies in Theatre and Performance 29:1 (February 2009): 67–83.CrossRefGoogle Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. Chicago: U of Chicago P, 1992.Google Scholar
Lamb, Mary Ellen. The Popular Culture of Shakespeare, Spenser, and Jonson. London: Routledge, 2006.CrossRefGoogle Scholar
MacLean, Sally Beth. “Tracking Leicester’s Men: The Patronage of a Performance Troupe.” Theatrical Patronage in Early Modern England. Ed. White, Paul Whitfield and Westfall, Suzanne. Cambridge: Cambridge University Press, 2002. 246–71.Google Scholar
Smith, Bruce. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Ed. Schwartz, Robert. Baltimore: Johns Hopkins UP, 1978.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×