Book contents
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Section A A Sociological Perspective
- Section B Some Preliminary Legal and Policy Issues
- 4 Copyright Protection of Illegal Street and Graffiti Artworks
- 5 Conservation of Street Art, Moral Right of Integrity and a Maze of Conflicting Interests
- 6 Works and Walls: Graffiti Writing and Street Art at the Intersection of Copyright and Land Law
- Part II National Legal Analyses
- Epilogue
5 - Conservation of Street Art, Moral Right of Integrity and a Maze of Conflicting Interests
from Section B - Some Preliminary Legal and Policy Issues
Published online by Cambridge University Press: 14 November 2019
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Section A A Sociological Perspective
- Section B Some Preliminary Legal and Policy Issues
- 4 Copyright Protection of Illegal Street and Graffiti Artworks
- 5 Conservation of Street Art, Moral Right of Integrity and a Maze of Conflicting Interests
- 6 Works and Walls: Graffiti Writing and Street Art at the Intersection of Copyright and Land Law
- Part II National Legal Analyses
- Epilogue
Summary
The chapter highlights issues raised by attempts to preserve street and graffiti art. It does so by exploring whether street and graffiti artists could successfully oppose the removal or destruction of their works by relying on the moral right of integrity; and whether the heritagisation of these forms of art could also be a valuable legal option to conserve them. Cases where artists have tried to protect their works, and local councils and communities have attempted to conserve street artworks, will also be analysed. The chapter concludes that a reasonable balance between the rights and interests of all stakeholders – artists, property owners and local communities – needs to be achieved, and that this is best undertaken by judges, or administrative bodies, equipped to grasp the specificity and complexity of each case.
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- Publisher: Cambridge University PressPrint publication year: 2019
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