Book contents
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Part II National Legal Analyses
- Section A Americas
- Section B Europe
- Section C Africa, Asia, and Australasia
- 16 Graffiti and Street Art under South African Copyright Law
- 17 Street Art, Graffiti, and Indian Copyright Law
- 18 Copyright in Street Art and Graffiti: An Australian Perspective
- 19 Copyright, Graffiti, and Street Art in Aotearoa New Zealand
- Epilogue
18 - Copyright in Street Art and Graffiti: An Australian Perspective
from Section C - Africa, Asia, and Australasia
Published online by Cambridge University Press: 14 November 2019
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Part II National Legal Analyses
- Section A Americas
- Section B Europe
- Section C Africa, Asia, and Australasia
- 16 Graffiti and Street Art under South African Copyright Law
- 17 Street Art, Graffiti, and Indian Copyright Law
- 18 Copyright in Street Art and Graffiti: An Australian Perspective
- 19 Copyright, Graffiti, and Street Art in Aotearoa New Zealand
- Epilogue
Summary
Street art in Australia is not only an important part of urban Australian culture but also a serious commercial business and a part of government urban planning in metropolitan areas. It is both legally recognised and encouraged by sophisticated government policies but those policies have surprisingly little to say directly about copyright. Graffiti is usually defined as unlawful because it is done on public or private property without permission and there is no general legal freedom to paint on public or private property surfaces without express or implied permission. It is discouraged by not enjoying legal protection and being the subject of considerable adverse commentary.
- Type
- Chapter
- Information
- The Cambridge Handbook of Copyright in Street Art and Graffiti , pp. 287 - 298Publisher: Cambridge University PressPrint publication year: 2019