Book contents
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Part II National Legal Analyses
- Section A Americas
- 7 Street Art, Graffiti and Copyright: A US Perspective
- 8 Graffiti, Street Art, Walls, and the Public in Canadian Copyright Law
- 9 Graffiti, Street Art and Colombian Copyright Law
- Section B Europe
- Section C Africa, Asia, and Australasia
- Epilogue
9 - Graffiti, Street Art and Colombian Copyright Law
from Section A - Americas
Published online by Cambridge University Press: 14 November 2019
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Foreword
- Introduction
- Part I Creativity in the Street Between Misappropriation and Destruction
- Part II National Legal Analyses
- Section A Americas
- 7 Street Art, Graffiti and Copyright: A US Perspective
- 8 Graffiti, Street Art, Walls, and the Public in Canadian Copyright Law
- 9 Graffiti, Street Art and Colombian Copyright Law
- Section B Europe
- Section C Africa, Asia, and Australasia
- Epilogue
Summary
Currently, many cities in Colombia are starting to embrace and promote urban art even though in the recent past the police-or even worse, social-cleansing groups-have persecuted graffiti and street art artists. However, cities like Barranquilla, Valledupar, Medellin, Cali, Bucaramanga, Pereira, and Ibague have welcomed graffiti, designating places, mainly walls, for artists to express themselves via graffiti and street art. Fairs, seminars, and museum exhibitions of urban art are being held in various Colombian cities and these art forms are even boosting local tourism. Amidst this growing collection of street art, one question remains: what protection does street art-particularly lettering-based graffiti-enjoy and what kind of rights do their artists hold over them?
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- The Cambridge Handbook of Copyright in Street Art and Graffiti , pp. 144 - 156Publisher: Cambridge University PressPrint publication year: 2019