Book contents
- The Cambridge Handbook of the Imagination
- The Cambridge Handbook of the Imagination
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- 1 Surveying the Imagination Landscape
- Part I Theoretical Perspectives on the Imagination
- Part II Imagery-Based Forms of the Imagination
- Part III Intentionality-Based Forms of the Imagination
- Part IV Novel Combinatorial Forms of the Imagination
- Part V Phenomenology-Based Forms of the Imagination
- 34 Imagination in the Philosophy of Art
- 35 Imagination in Aesthetic Experience
- 36 The Arts and Human Symbolic Cognition: Art is for Social Communication
- 37 Aesthetic Engagement: Lessons from Art History, Neuroscience, and Society
- 38 Dance and the Imagination: Be a Butterfly!
- 39 Imagination, Intersubjectivity, and a Musical Therapeutic Process: A Personal Narrative
- Part VI Altered States of the Imagination
- Name Index
- Subject Index
- References
38 - Dance and the Imagination: Be a Butterfly!
from Part V - Phenomenology-Based Forms of the Imagination
Published online by Cambridge University Press: 26 May 2020
Edited by
Book contents
- The Cambridge Handbook of the Imagination
- The Cambridge Handbook of the Imagination
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- 1 Surveying the Imagination Landscape
- Part I Theoretical Perspectives on the Imagination
- Part II Imagery-Based Forms of the Imagination
- Part III Intentionality-Based Forms of the Imagination
- Part IV Novel Combinatorial Forms of the Imagination
- Part V Phenomenology-Based Forms of the Imagination
- 34 Imagination in the Philosophy of Art
- 35 Imagination in Aesthetic Experience
- 36 The Arts and Human Symbolic Cognition: Art is for Social Communication
- 37 Aesthetic Engagement: Lessons from Art History, Neuroscience, and Society
- 38 Dance and the Imagination: Be a Butterfly!
- 39 Imagination, Intersubjectivity, and a Musical Therapeutic Process: A Personal Narrative
- Part VI Altered States of the Imagination
- Name Index
- Subject Index
- References
Summary
In dance, there are three components that stir our imagination: the movement of our body or the movement of others (kinesthetic imagery), the music that accompanies the movement (auditory imagery), and the emotions that arise from the physical sensation in our body while we dance (interoceptive imagery). All three types of imagery tap into different yet interrelated neural systems that are engaged both during dancing, as much as during the imagination of a dance. In this chapter, we will describe each of these imagery types in relation to dance. We also show evidence about how the combination of kinesthetic, auditory, and interoceptive imagery helps both amateur and professional dancers to rehearse their dance movements and find inspiration for new moves without actually moving their body at all.
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- The Cambridge Handbook of the Imagination , pp. 620 - 634Publisher: Cambridge University PressPrint publication year: 2020
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