Book contents
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- Part II Uneven Histories
- Part III Writing the Contemporary
- (I) Looking Back, Looking Forward
- 26 Diasporic Translocations
- 27 Reinventing the Nation
- 28 Reclaiming the Past
- 29 Expanding Realism, Thinking New Worlds
- 30 Writing Lives, Inventing Selves
- 31 Black and Asian British Women’s Poetry
- (II) Framing New Visions
- Select Bibliography
- Index
31 - Black and Asian British Women’s Poetry
Writing Across Generations
from (I) - Looking Back, Looking Forward
Published online by Cambridge University Press: 19 December 2019
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- Part II Uneven Histories
- Part III Writing the Contemporary
- (I) Looking Back, Looking Forward
- 26 Diasporic Translocations
- 27 Reinventing the Nation
- 28 Reclaiming the Past
- 29 Expanding Realism, Thinking New Worlds
- 30 Writing Lives, Inventing Selves
- 31 Black and Asian British Women’s Poetry
- (II) Framing New Visions
- Select Bibliography
- Index
Summary
This chapter engages with the thematic, formal, and linguistic breadth that characterises contemporary Black and Asian women’s poetry. It argues that the anthology continues to be an important platform for supporting, publishing, and disseminating Black and Asian women’s poetry, given the continuing dearth of publication opportunities for such poets. While there are continuities in style, form, and focus across the generations, there has been a significant shift away from a focus on identity towards more protean and fragmented forms. Language, migration, and diaspora remain central concerns, but are often more varied and diverse in their global reach, representing a wide range of experiences of crossings and arrivals, and of the melancholic un-belonging that often follows. The work of women poets across the generations is marked by a greater willingness to experiment with form, structure, and rhythm and to shift between experimental and expressive poetic registers with ease and confidence. In engaging a wide range of poets, this chapter prepares the ground for comparisons of similar preoccupations and concerns, charting continuities and discontinuities across the generations
- Type
- Chapter
- Information
- The Cambridge History of Black and Asian British Writing , pp. 521 - 534Publisher: Cambridge University PressPrint publication year: 2020