Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-12T22:48:32.722Z Has data issue: false hasContentIssue false

2 - Origins and Transmission of Franco-Roman Chant

from Volume I

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Andrieu, Michel, ed. Les Ordines Romani du haut moyen age III, Spicilegium sacrum Lovaniense 24. Louvain: Université Catholique, 1951.Google Scholar
Andrieu, Michel, ed. Les Ordines Romani du haut moyen age IV, Spicilegium sacrum Lovaniense 28. Louvain: Université Catholique, 1956.Google Scholar
Bede, . Historia ecclesiastica gentis Anglorum, Historia abbatum, Epistola ad Ecgberctum, una cum Historia abbatum auctore anonymo, ed. Plummer, Carolus, 2 vols. Oxford: Clarendon Press, 1896.Google Scholar
Bernard, Philippe. “A-t-on connu la psalmodie alternée à deux choeurs, en Gaule, avant l’époque carolingienne?Revue Bénédictine 114 (2004), 291325; 115 (2005), 3360.CrossRefGoogle Scholar
Brou, Louis. “Le ive Livre d’Esdras dans la Liturgie Hispanique et le Graduel Romain Locus iste de la Messe de la Dédicace,” Sacris Erudiri 9 (1957), 75109.CrossRefGoogle Scholar
de Waal, Anton. “Le chant liturgique dans les inscriptions romaines du IVe au IXe siècle,” in Compte rendu du troisième congrès scientifique international des catholiques 2: Sciences religieuses. Brussels: Societé belge de librairie, 1895, 310–17.Google Scholar
Diehl, Ernst, ed. Inscriptiones Latinae christianae veteres, 3 vols. Berlin: Weidmann, 1925–31.Google Scholar
Duchesne, Louis, ed. Le Liber Pontificalis: texte, introduction et commentaire, 2 vols. Paris: Thorin/Boccard, 1886–92.Google Scholar
Dümmler, Ernst et al., eds. Epistolae Merowingici et Karolini aevi I, MGH Epistolae 3. Berlin: Weidmann, 1892.Google Scholar
Dyer, Joseph. “Monastic Psalmody of the Middle Ages,” Revue Bénédictine 99 (1989), 4174.CrossRefGoogle Scholar
Dyer, J.Schola cantorum,” in MGG2, Sachteil, vol. viii: cols. 1119–123.Google Scholar
Dyer, J.The Schola Cantorum and Its Roman Milieu in the Early Middle Ages,” in De musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper: Helmut Hucke zum 60. Geburtstag, ed. Cahn, P. and Heimer, A.-K.. Hildesheim: Olms, 1993, 1940.Google Scholar
Eben, David. “Die Ofiziumsantiphonen der Adventszeit,” 2 vols. Ph.D. dissertation, University of Prague, 2003; print in preparation.Google Scholar
Ferrua, Antonio, ed. Epigrammata Damasiana. Città del Vaticano: Pontificio Istituto di archeologia cristiana, 1942.Google Scholar
Fischer, Ludwig, ed. Bernhardi cardinalis et Lateranensis ecclesiae prioris Ordo officiorum ecclesiae Lateranensis. Munich and Freising: Datterer, 1916.Google Scholar
Guilmart, Jacques-Marie. “Origine de l’office grégorien,” Ecclesia Orans 23 (2006), 3780.Google Scholar
Gy, Pierre-Marie. “L’influence des chanoines de Lucques sur la liturgie du Latran,” Revue des sciences religieuses 85 (1984), 3141.Google Scholar
Gy, P.-M.The Missal of a Church Adjacent to the Lateran: Roma Archivio di Stato MS Sanctissimo Salvatore 997,” in Songs of the Dove and the Nightingale: Sacred and Secular Music c. 900-c. 1600, ed. Hair, G. M. and Smith, R. E.. Basel: Gordon and Breach, 1995, 6373.Google Scholar
Heckenbach, Willibrord. “Responsoriale Communio-Antiphonen,” in Ars musica, musica scientia: Festschrift Heinrich Hüschen, ed. Altenburg, D.. Köln: Gitarre und Laute Verlagsgesellschaft, 1980, 224–32.Google Scholar
Hornby, Emma. Medieval Liturgical Chant and Patristic Exegesis: Words and Music in the Second-Mode Tracts. Woodbridge: Boydell Press, 2009.Google Scholar
Hucke, Helmut. “Gregorianischer Gesang in altrömischer und fränkischer Überlieferung,” Archiv für Musikwissenschaft 12 (1955), 7487.CrossRefGoogle Scholar
Hucke, H.Toward a New Historical View of Gregorian Chant,” Journal of the American Musicological Society 33 (1980), 437–67.CrossRefGoogle Scholar
Hucke, Helmut and Möller, Hartmut. “Gregorianischer Gesang,” in MGG2, Sachteil, vol. iii: cols. 1609–21.Google Scholar
Hughes, David. “Evidence for the Traditional View of the Transmission of Gregorian Chant,” Journal of the American Musicological Society 40 (1987), 377404.Google Scholar
Huglo, Michel. “Le chant vieux-romain: Liste des manuscrits et témoins indirects,” Sacris Erudiri 6 (1954), 96124.Google Scholar
Huglo, M.Recherches sur la psalmodie alternée à deux choeurs,” Revue bénédictine 116 (2006), 352–66.Google Scholar
Huglo, Michel et al. Fonti e paleografia del canto ambrosiano, Archivio Ambrosiano 7. Milan: Rivista Ambrosius, 1956.Google Scholar
Jeffery, Peter. “The Introduction of Psalmody into the Roman Mass by Pope Celestine I (422–432): Reinterpreting a Passage in the Liber Pontificalis,” Archiv für Liturgiewissenschaft 26 (1984), 147–65.Google Scholar
Jeffery, P.Rome and Jerusalem: From Oral Tradition to Written Repertory in Two Ancient Liturgical Centers,” in Essays on Medieval Music in Honor of David G. Hughes, ed. Boone, G.M.. Cambridge, MA: Harvard University Press, 1995, 207–47.Google Scholar
Jungmann, Joseph A. Missarum Sollemnia: Eine genetische Erklärung der römischen Messe, 2 vols., 3rd ed. Freiburg: Herder, 1952.Google Scholar
Leeb, Helmut. Die Psalmodie bei Ambrosius. Vienna: Herder, 1967.Google Scholar
Levy, Kenneth. “Toledo, Rome, and the Legacy of Gaul,” Early Music History 4 (1984), 4999.CrossRefGoogle Scholar
Maiani, Bradford. “The Responsory-Communions for Paschaltide,” Studia Musicologica 39 (1998), 233–40.CrossRefGoogle Scholar
Maloy, Rebecca. Inside the Offertory: Aspects of Chronology and Transmission. Oxford University Press, 2010.Google Scholar
McKinnon, James. The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper. Berkeley: University of California Press, 2000.Google Scholar
McKinnon, J.The Eighth-Century Frankish-Roman Communion Cycle,” Journal of the American Musicological Society 45 (1992), 179227.Google Scholar
McKinnon, J.Properization: The Roman Mass,” in International Musicological Society Study Group Cantus Planus: Papers Read at the 6th Meeting, Eger, Hungary, 1993. Budapest: Hungarian Academy of Sciences, Institute for Musicology, 1995, 1522.Google Scholar
Migne, Jacques-Paul, ed. Sancti Gregorii Papae I, cognomento Magni opera omnia i, in PL, vol. lxxv. Paris: Garnier, 1902.Google Scholar
Moneta Caglio, Ernesto T. Lo iubilus e le origini della salmodia responsoriale. Venice, 1977.Google Scholar
Nowacki, Edward. “Antiphonal Psalmody in Christian Antiquity and Early Middle Ages,” in Essays on Medieval Music in Honor of David G. Hughes, ed. Boone, G.M.. Cambridge, MA: Harvard University Press, 1995, 287315.Google Scholar
Pertz, Georg H., ed. [Scriptores rerum Sangallensium, Annalium et chronicorum aevi Caroli continuatio, Historiae aevi Carolini], MGH Scriptores 2. Hanover: Hahn, 1829.Google Scholar
Pfisterer, Andreas. Cantilena Romana: Untersuchungen zur Überlieferung des gregorianischen Chorals, Beiträge zur Geschichte der Kirchenmusik 11. Paderborn: Schöningh, 2002.Google Scholar
Pfisterer, A.Hesbert, Amalar und die fränkische Responsorienkomposition,” in Papers Read at the 13th Meeting of the IMS Study Group Cantus Planus, Niederaltaich/Germany, 2006. Aug. 29-Sept. 4. Budapest: Hungarian Academy of Sciences, Institute for Musicology, 2009, 535–46.Google Scholar
Pfisterer, A.James McKinnon und die Datierung des gregorianischen Chorals,” Kirchenmusikalisches Jahrbuch 85 (2001), 3153.Google Scholar
Pfisterer, A.Remarks on Roman and Non-Roman Offertories,” Plainsong and Medieval Music 14 (2005), 169–81.Google Scholar
Pfisterer, A.Skizzen zu einer gregorianischen Formenlehre,” Archiv für Musikwissenschaft 63 (2006), 145–61.Google Scholar
Pfisterer, A.Y a-t-il une tradition française du chant grégorien?Études grégoriennes 34 (2006–7), 101–15.Google Scholar
Stäblein, Bruno. “Zur Frühgeschichte des römischen Chorals,” in Atti del congresso internazionale di Musica Sacra, Roma 1950, ed. Anglès, H.. Tournai, 1952, 271–75.Google Scholar
Taft, Robert. The Liturgy of the Hours in East and West: The Origins of the Divine Office and Its Meaning for Today, 2nd ed. Collegeville, MN: The Liturgical Press, 1993.Google Scholar
Tietze, Christoph. “The Use of Old Latin in the Non-Psalmic Introit Texts,” in Papers Read at the 12th Meeting of the IMS Study Group Cantus Planus, Lillafüred/Hungary, 2004, Aug. 23–28. Budapest: Hungarian Academy of Sciences, Institute for Musicology, 2006, 259–83.Google Scholar
Treitler, Le0. “Centonate Chant: Übles Flickwerk or E pluribus unus?Journal of the American Musicological Society 28 (1975), 123.Google Scholar
Treitler, L.Homer and Gregory: The Transmission of Epic Poetry and Plainchant,” The Musical Quarterly 60 (1974), 333–72.Google Scholar
Van Dijk, Stephen J. P.The Medieval Easter Vespers of the Roman Clergy,” Sacris Erudiri 19 (1969/70), 261363.Google Scholar
Van Dijk, Stephen J. P. and Walker, Joan Hazelden. The Origins of the Modern Roman Liturgy: The Liturgy of the Papal Court and the Franciscan Order in the Thirteenth Century. Westminster, MD; London: The Newman Press, 1960.Google Scholar
Wagner, Peter. “Der gregorianische Gesang,” in Handbuch der Musikgeschichte, ed. Adler, G.. Frankfurt: Frankfurter Verlags-Anstalt, 1924, 65105.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×