Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-09T23:59:27.570Z Has data issue: false hasContentIssue false

10 - Institutions and Intellectual Life

from Part III - Institutions, Ideas, and the Order of Nature

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aguzzi-Barbagli, Danilo, ‘Francesco Patrizi e l’umanesimo musicale del Cinquecento’, in L’umanesimo in Istria, ed. Branca, Vittore and Graciotti, Sante, Florence, 1983, 6390Google Scholar
Baumgart, Peter, and Pitz, Ernst, eds., Die Statuten der Universität Helmstedt, Göttingen, 1963Google Scholar
Berger, Karol, ‘Concepts and Developments in Music Theory’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 304–27Google Scholar
Bernhard, Michael, and Witkowska-Zaremba, Elżbieta, ‘The Teaching Tradition of Johannes Hollandrinus’, in Traditio Iohannis Hollandrini, ed. Bernhard, Michael and Witkowska-Zaremba, Elżbieta, Munich, 2010, I, 148291Google Scholar
Bolzoni, Lina, ‘L’Accademia Veneziana: Splendore e decadenza di una utopia enciclopedica’, in Università, accademie e società scientifiche in Italia e in Germania dal Cinquecento al Seicento, ed. Boehm, Laetitia and Raimondi, Ezio, Bologna, 1981, 117–67Google Scholar
Borghetti, Vincenzo, ‘Music and the Representation of Princely Power in the Fifteenth and Sixteenth Century’, AcM 80/2 (2008), 179214Google Scholar
Bruno, Luca, ‘“Il cantar novo” di Ercole Bottrigari, ovvero dell’antica musica cromatica ridotta alla moderna pratica polifonica tra Cinque e Seicento’, Studi Musicali nuova serie 5/2 (2014), 273356Google Scholar
Butt, John, ‘The Seventeenth-Century Musical Work’, in The Cambridge History of Seventeenth-Century Music, ed. Butt, John and Carter, Tim, Cambridge, 2005, 2754Google Scholar
Calvisius, Seth, Exercitatio altera de initio et progressu musices, et aliis quibusdam ad eam rem spectantibus, Leipzig, 1600Google Scholar
Calvisius, Seth Melopoiia sive melodiae condendae ratio, quam vulgo musicam poeticam vocant, Erfurt, 1592Google Scholar
Carter, Tim, ‘Music and Patronage in Late Sixteenth-Century Florence: The Case of Jacopo Corsi (1561–1602)’, in I Tatti Studies: Essays in the Renaissance, vol. I, Florence, 1985, 57104Google Scholar
Carter, TimNon occorre nominare tanti musici: Private Patronage and Public Ceremony in Late Sixteenth-Century Florence’, in I Tatti Studies: Essays in the Renaissance, vol. IV, Florence, 1991, 89104Google Scholar
Carter, Tim“To Promote Goodness, and to Live Fairly”: On the Musical Patronage of Giovanni de’ Bardi’, in I Bardi di Vernio e l’Accademia della Crusca: Atti del Convegno Internazionale, Firenze-Vernio, 25–26 settembre 1998, ed. Gargiulo, Piero, Magini, Alessandro, and Toussaint, Stéphane, Prato, 2000, 137–46Google Scholar
Carter, Tim, and Goldthwaite, Richard A, Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence, Cambridge, MA, 2013Google Scholar
Chytraeus, David, Ad Regulas studiorum appendix, Jena, 1595Google Scholar
Chytraeus, David In Deuteronomium Mosis enarratio, Wittenberg, 1575Google Scholar
Cohen, H. Floris, ‘Benedetti’s Views on Musical Science and Their Background in Contemporary Venetian Culture’, in Cultura, scienze e techniche nella Venezia del Cinquecento. Atti del Convegno Internazionale di Studio ‘Giovan Battista Benedetti e il suo tempo’, Venice, 1987, 301–10Google Scholar
Cummings, Anthony, The Politicized Muse: Music for Medici Festivals, 1512–1537, Princeton, NJ, 1992Google Scholar
Daolmi, Davide, Don Nicola Vicentino arcimusico in Milano: Il beneficio ecclesiastico quale risorsa economica prima e dopo il Concilio di Trento, un caso emblematico, Lucca, 1999Google Scholar
Daolmi, Davide Discorso di M. Francesco de Vieri, cognominato il Verino, del soggetto, del numero, dell’uso e della dignità et ordine degl’habiti dell’animo, Florence, Giunti, 1568Google Scholar
Dobbs, Benjamin, ‘Die Privilegierung der verschriftlichen Musik als Impuls für das Konzept der “musica poetica”: religiöse, intellektuelle und musikalische Faktoren im 16. Jahrhundert’, Musiktheorie 31 (2016), 515Google Scholar
Dressler, Gallus, Præcepta musicæ poëticæ, ed. Forgács, Robert, Urbana, IL, 2007Google Scholar
Faber, Gregor, Musices practicae erotematum libri duo, Basel, 1553Google Scholar
Feldman, Martha, City Culture and the Madrigal at Venice, Berkeley, CA, 1995Google Scholar
Fenlon, Iain, ‘Gioseffo Zarlino and the Accademia Venetiana della Fama’, in Music and Culture in Late Renaissance Italy, Oxford, 2002, 118–38Google Scholar
Fenlon, Iain, and Groote, Inga Mai, eds., Heinrich Glarean’s Books: The Intellectual World of a Sixteenth-Century Musical Humanist, Cambridge, 2013Google Scholar
Freig, Johannes Thomas, Paedagogus 1582: The Chapter on Music, trans. and ed. Yudkin, Jeremy, Neuhausen-Stuttgart, 1983Google Scholar
Friedensburg, Walter, ed., Urkundenbuch der Universität Wittenberg, Teil I (1502–1611), Magdeburg, 1926Google Scholar
Fuller, Sarah, ‘Defending the Dodecachordon: Ideological Currents in Glarean’s Modal Theory’, JAMS 49 (1996), 191224Google Scholar
Galilei, Vincenzo, Dialogue on Ancient and Modern Music, trans. and ed. Palisca, Claude, New Haven, CT, and London, 2003Google Scholar
Gallo, Alberto, ‘Le traduzioni dal Greco per Franchino Gaffurio’, AcM 35 (1963), 172–4Google Scholar
Gallo, Alberto Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries, trans. Anna Herklotz, Chicago, IL, 1995Google Scholar
Gibba, Alessandra, ‘Francesco de’ Vieri (1524–1591) and His Teaching at the University of Pisa’, History of Universities 14 (1998), 143–55Google Scholar
Grafton, Anthony, and Jardine, Lisa, From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe, Cambridge, MA, 1986Google Scholar
Grendler, Paul, The Universities of the Italian Renaissance, Baltimore, MD, 2002Google Scholar
Groote, Inga Mai, Musik in italienischen Akademien: Studien zur institutionellen Musikpflege 1543–1666, Laaber, 2007Google Scholar
Musikalische, Poetik nach Melanchthon und Glarean: Zur Genese eines Interpretationsmodells’, AfM 70 (2013), 227–53Google Scholar
Groote, Inga Mai, Kölbl, Bernhard, and Weiss, Susan Forscher, ‘Evidence for Glarean’s Music Lectures from his Students’ Books: Congruent Annotations in “Epitome” and “Dodekachordon”, in Heinrich Glarean’s Books: The Intellectual World of a Sixteenth-Century Musical Humanist, ed. Fenlon, Iain and Groote, Inga Mai, Cambridge, 2013, 280302Google Scholar
Haar, James, ‘The Courtier as Musician: Castiglione’s View of the Science and Art of Music’, in The Science and Art of Renaissance Music, ed. Corneilson, Paul, Princeton, NJ, 1998, 2037Google Scholar
Heinzer, Felix, ‘Gregor Reisch und seine “Margarita Philosophica”’, in Die Kartause St. Johannisberg in Freiburg im Breisgau: Historische und baugeschichtliche Untersuchungen, ed. Krieg, Heinz, Löbbecke, Frank, and Ungerer-Heuck, Katharina, Freiburg, 2014, 113–25Google Scholar
Kallendorf, Craig W., trans. and ed., Humanist Educational Treatises, I Tatti Renaissance Library, 5, Cambridge, MA, 2002Google Scholar
Kölbl, Bernhard, Autorität der Autorschaft: Heinrich Glarean als Vermittler seiner Musiktheorie, Wiesbaden, 2012Google Scholar
Krämer, Jörg, ‘Zur Frühgeschichte der musikalischen Rhetorik: Joachim Burmeister’, International Journal of Musicology 2 (1993), 101–12Google Scholar
Kristeller, Paul Oskar, ‘Humanism’, in The Cambridge History of Renaissance Philosophy, ed. Schmitt, Charles B. and Skinner, Quentin, Cambridge, 1988, 113–37Google Scholar
Loesch, Heinz von, Der Werkbegriff in der protestantischen Musiktheorie des 16. und 17. Jahrhunderts: ein Missverständnis, Hildesheim, 2001Google Scholar
Loewe, J. Andreas, ‘“Musica est Optimum”: Martin Luther’s Theory of Music’, ML 94 (2013), 573605Google Scholar
Lorenzetti, Stefano, Musica e identità nobiliare nell’Italia del rinascimento: educazione, mentalità, immaginario, Florence, 2003Google Scholar
Luther, Martin, D. Martin Luthers Tischreden 1531–1546, vol. V: Tischreden aus den Jahren 1540–1544, mit sprachl. Anmerkungen und Erläuterungen von O. Brenner (= D. Martin Luthers Werke: Kritische Gesammtausgabe [Weimarer Ausgabe], Abt. 2, Bd 5), Weimar, 1919Google Scholar
Luther, Martin ‘To the Councilmen in all Germany of all Cities in Germany that they Establish and Maintain Christian Schools’, in The Christian in Society II, ed. and trans. Brandt, Walther I (= Luther’s Works, 45), St Louis, MO, 1962, 339–79Google Scholar
Martin, Uwe, ‘Die Nürnberger Musikgesellschaften’, Mitteilungen des Vereins für Geschichte der Stadt Nürnberg 49 (1959), 185225Google Scholar
McCarthy, Evan A., ‘Transformations in Music Theory and Music Treatises’, in The Cambridge History of Fifteenth-Century Music, ed. Anna Maria, Busse Berger and Rodin, Jesse, Cambridge, 2015, 602–14Google Scholar
McKinney, Timothy, Adrian Willaert and the Theory of Interval Affect: The ‘Musica nova’ Madrigals and the Novel Theories of Zarlino and Vicentino, Farnham, 2010Google Scholar
Melanchthon, Philipp, Opera quae supersunt omnia, vol. XXVI: Corpus Reformatorum, Halle, 1858, col. 92Google Scholar
Meyer, Michael, Zwischen Kanon und Geschichte: Josquin im Deutschland des 16. Jahrhunderts, Turnhout, 2016Google Scholar
Moyer, Ann, Musica Scientia: Musical Scholarship in the Italian Renaissance, Ithaca, NY, 1992Google Scholar
Mulryne, J. R., and Goldring, Elizabeth, eds., Court Festivals of the European Renaissance: Art, Politics, and Performance, Aldershot, 2002Google Scholar
Mulryne, J. R., and Shewring, Margaret, eds., Italian Renaissance Festivals and their European Influence, Lewiston, NY, 1992Google Scholar
Mulryne, J. R., Watanabe-O’Kelly, Helen, and Shewring, Margaret, eds., Europa Triumphans: Court and Civic Festivals in Early Modern Europe, 2 vols., Aldershot, 2004Google Scholar
Murray, Jr, Russell, Forscher Weiss, Susan, and Cyrus, Cynthia, eds., Music Education in the Middle Ages and the Renaissance, Bloomington, IN, 2010Google Scholar
Neander, Valentin, Elegia de praecipuis artificibus et laude musices, Wittenberg, 1583Google Scholar
Niemöller, Klaus Wolfgang, ‘Deutsche Musiktheorie im 16. Jahrhundert: Geistes- und Institutionsgeschichtliche Grundlagen’, in Deutsche Musiktheorie des 15. bis 17. Jahrhunderts. Teil 1: Von Paumann bis Calvisius, ed. Göllner, Theodor, Niemöller, Klaus Wolfgang, and von Loesch, Heinz, Darmstadt, 2003, 6998Google Scholar
Niemöller, Klaus WolfgangDie musikalische Rhetorik und ihre Genese in Musik und Musikanschauung der Renaissance’, in Renaissance-Rhetorik / Renaissance Rhetoric, ed. Plett, Heinrich F., Berlin, 1999, 285315Google Scholar
Niemöller, Klaus Wolfgang Nicolaus Wollick und sein Musiktraktat, Cologne, 1956Google Scholar
Niemöller, Klaus Wolfgang Untersuchungen zu Musikpflege und Musikunterricht an den deutschen Lateinschulen vom ausgehenden Mittelalter bis um 1600, Regensburg, 1969Google Scholar
Onkelbach, Friedhelm, Lucas Lossius und seine Musiklehre, Regensburg, 1960Google Scholar
Palisca, Claude, Humanism in Italian Renaissance Musical Thought, New Haven, CT, and London, 1985Google Scholar
Palisca, Claude Music and Ideas in the Sixteenth and Seventeenth Centuries, Urbana, IL, 2006CrossRefGoogle Scholar
Palisca, Claude Studies in the History of Italian Music and Music Theory, Oxford, 1994CrossRefGoogle Scholar
Palisca, ClaudeThe Alterati of Florence, Pioneers in the Theory of Dramatic Music’, in New Looks at Italian Opera: Essays in Honor of Donald J. Grout, ed. Austin, William W., Ithaca, NY, 1968, 938Google Scholar
Panti, Cecilia, Filosofia della musica: tarda antichità e medioevo, Rome, 2008Google Scholar
Pietzsch, Gerhard, Zur Pflege der Musik an den deutschen Universitäten bis zur Mitte des 16. Jahrhunderts, Darmstadt, 1971Google Scholar
Pirrotta, Nino, and Povoledo, Elena, Music and Theatre from Poliziano to Monteverdi, trans. Karen Eales, Cambridge, 1982Google Scholar
Pohlig, Matthias, Zwischen Gelehrsamkeit und konfessioneller Identitätsstiftung. Lutherische Kirchen- und Universalgeschichtsschreibung 1546–1617, Tübingen, 2007Google Scholar
Prins, Jacomien, Echoes of an Invisible World: Marsilio Ficino and Francesco Patrizi on Cosmic Order and Music Theory, Leiden, 2015Google Scholar
Radaelli, Salvatore, ‘L’Accademia degli Uranici: La musica nelle accademie veneziane’, Musica e Storia 6/2 (1998), 327–48Google Scholar
Restani, Donatella, L’itinerario di Girolamo Mei dalla ‘poetica’ alla musica, con un’appendice di testi, Florence, 1990Google Scholar
Sachs, Klaus-Jürgen, Musiklehre im Studium der Artes. Die ‘Musica’ (Köln 1507) des Johannes Cochlaeus, 2 vols., Hildesheim, 2015Google Scholar
Saslow, James, The Medici Wedding of 1589: Florentine Festival as Theatrum Mundi, New Haven, CT, and London, 1996Google Scholar
Schlüter, Marie, Musikgeschichte Wittenbergs im 16. Jahrhundert: Quellenkundliche und sozialgeschichtliche Untersuchungen, Göttingen, 2010Google Scholar
Schröder, Gesine, ed., Tempus musicæ – tempus mundi: Untersuchungen zu Seth Calvisius, Hildesheim, 2008Google Scholar
Staehelin, Martin, ‘Musik in den Artistenfakultäten deutscher Universitäten des späten Mittelalters und der frühen Neuzeit’, in Artisten und Philosophen: Wissenschafts- und Wirkungsgeschichte einer Fakultät vom 13. bis zum 19. Jahrhundert, ed. Schwinges, Rainer Christoph, Basel, 1999, 129–41Google Scholar
Strohm, Reinhard, The Rise of European Music, 1380–1500, Cambridge, 1993Google Scholar
Strong, Roy, Art and Power: Renaissance Festivals, 1450–1650, Woodbridge, 1984Google Scholar
Sturm, Johannes, Classicae epistolae sive Scholae Argentinenses restitutae, n.p., 1565Google Scholar
Sturm, Johannes De literarum ludis recte aperiendis liber, Strasbourg, 1539Google Scholar
Tomlinson, Gary, ‘Renaissance Humanism and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2014, 119Google Scholar
Treadwell, Nina, Music and Wonder at the Medici Court: The 1589 Interludes for ‘La pellegrina’, Bloomington, IN, 2008Google Scholar
van Orden, Kate, Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005CrossRefGoogle Scholar
Varwig, Bettina, ‘Mutato semper habitu: Heinrich Schütz and the Culture of Rhetoric’, ML 90 (2009), 215–39Google Scholar
Vecce, Carlo, ed., Gli umanisti e la musica, Milan, 1985Google Scholar
Veen, Henk Th. van, ‘The Accademia degli Alterati and Civic Virtue’, in The Reach of the Republic of Letters: Literary and Learned Societies in Late Medieval and Early Modern Europe, ed. Dixhoorn, Arjan van and Speakman Sutch, Susie, Leiden, 2008, II, 285308Google Scholar
Vendrix, Philippe, ‘La diffusion des écrits théoriques en France à la Renaissance’, in Festschrift Christoph-Hellmut Mahling zum 65. Geburtstag, ed. Beer, Axel, Tutzing, 1997, 1453–62Google Scholar
Vendrix, PhilippeThe Theoretical Expression of Music in Renaissance France’, EMH 13 (1994), 249–73Google Scholar
Vicentino, Nicola, Ancient Music Adapted to Modern Practice, trans. Maria Rika Maniates, New Haven, CT, and London, 1996Google Scholar
Vickers, Brian, ‘Rhetoric and Poetics’, in The Cambridge History of Renaissance Philosophy, ed. Schmitt, Charles B. and Skinner, Quentin, Cambridge, 1988, 715–45Google Scholar
Weeda, Robert, ‘Une pédagogie de l’art du chant’, in Johannes Sturm: Rhetor, Pädagoge und Diplomat, ed. Arnold, Matthieu, Tübingen, 2009, 215–38Google Scholar
Wegman, Rob C., ‘Luther’s Gospel of Music’, in Luther im Kontext: Reformbestrebungen und Musik in der ersten Hälfte des 16. Jahrhunderts, ed. Klaper, Michael, Hildesheim, 2016, 175200Google Scholar
Weijers, Olga, and Holtz, Louis, eds., L’enseignement des disciplines à la faculté des arts (Paris et Oxford, XIIIe–XVe siècles), Turnhout, 1997Google Scholar
Wistreich, Richard, Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance, Aldershot, 2007Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×