Book contents
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
27 - The Regional Novel in Australia
Published online by Cambridge University Press: 28 June 2023
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
Summary
Regional literature plays a bigger part in the ‘national story’ than is generally acknowledged in Australia; indeed, paying attention to regional writing intervenes in prevailing ways of thinking about national literary history. Regional literature does not sit inside a broader national frame, but instead intersects in dynamic ways in the production of Australian regions that map across local, national and even global coordinates. This chapter engages with the regional novel in Australia as an historic, contemporary and future-making force with diverse community investment. It maps the rich history of regional writing in Australia and assembles an account of regional literary scholarship, from the literary history of the Western Australian Wheatbelt, to Queensland’s mining towns, to Tasmania and the Northern Territory, to Gippsland and the Mallee in Victoria. It considers the scope of different studies of regional literature, and the ways in which regional literature has been conceived and received. While regional literary histories have often sought to highlight neglected or little-known literary works, some have also perpetuated narrow narratives of place through traditional definitions of what counts as regional writing. This chapter advocates an expanded view of the regional novel from the nineteenth century to today, acknowledging the ancient histories of storytelling and extending the coordinates of what ‘counts’ as regional. It seeks to affirm the influence of works of genre fiction which frequently have clearly defined regional settings but are not always included in national histories of literature. Broadening definitions of the regional novel allows a more inclusive account of Australian writing, bringing into visibility more diverse Australian places and texts.
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- The Cambridge History of the Australian Novel , pp. 454 - 471Publisher: Cambridge University PressPrint publication year: 2023