Book contents
- The Cambridge History of the Gothic
- The Cambridge History of the Gothic
- The Cambridge History of the Gothic
- Copyright page
- Contents
- Illustrations and Captions for Volume II
- Tables
- Notes on Contributors
- Acknowledgements
- Introduction: Gothic in the Nineteenth Century, 1800–1900
- 2.1 Gothic Romanticism and the Summer of 1816
- 2.2 Fantasmagoriana: The Cosmopolitan Gothic and Frankenstein
- 2.3 The Mutation of the Vampire in Nineteenth-Century Gothic
- 2.4 From Romantic Gothic to Victorian Medievalism: 1817 and 1877
- 2.5 Nineteenth-Century Gothic Architectural Aesthetics: A. W. N. Pugin, John Ruskin and William Morris
- 2.6 Gothic Fiction, from Shilling Shockers to Penny Bloods
- 2.7 The Theatrical Gothic in the Nineteenth Century
- 2.8 ‘Spectrology’: Gothic Showmanship in Nineteenth-Century Popular Shows and Media
- 2.9 The Gothic in Victorian Poetry
- 2.10 The Genesis of the Victorian Ghost Story
- 2.11 Charles Dickens and the Gothic
- 2.12 Victorian Domestic Gothic Fiction
- 2.13 The Gothic in Nineteenth-Century Spain
- 2.14 The Gothic in Nineteenth-Century Italy
- 2.15 The Gothic in Nineteenth-Century Scotland
- 2.16 The Gothic in Nineteenth-Century Ireland
- 2.17 The Gothic in Nineteenth-Century America
- 2.18 Nineteenth-Century British and American Gothic and the History of Slavery
- 2.19 Genealogies of Monstrosity: Darwin, the Biology of Crime and Nineteenth-Century British Gothic Literature
- 2.20 Gothic and the Coming of the Railways
- 2.21 Gothic Imperialism at the Fin de siècle
- Select Bibliography
- Index
2.9 - The Gothic in Victorian Poetry
Published online by Cambridge University Press: 18 July 2020
- The Cambridge History of the Gothic
- The Cambridge History of the Gothic
- The Cambridge History of the Gothic
- Copyright page
- Contents
- Illustrations and Captions for Volume II
- Tables
- Notes on Contributors
- Acknowledgements
- Introduction: Gothic in the Nineteenth Century, 1800–1900
- 2.1 Gothic Romanticism and the Summer of 1816
- 2.2 Fantasmagoriana: The Cosmopolitan Gothic and Frankenstein
- 2.3 The Mutation of the Vampire in Nineteenth-Century Gothic
- 2.4 From Romantic Gothic to Victorian Medievalism: 1817 and 1877
- 2.5 Nineteenth-Century Gothic Architectural Aesthetics: A. W. N. Pugin, John Ruskin and William Morris
- 2.6 Gothic Fiction, from Shilling Shockers to Penny Bloods
- 2.7 The Theatrical Gothic in the Nineteenth Century
- 2.8 ‘Spectrology’: Gothic Showmanship in Nineteenth-Century Popular Shows and Media
- 2.9 The Gothic in Victorian Poetry
- 2.10 The Genesis of the Victorian Ghost Story
- 2.11 Charles Dickens and the Gothic
- 2.12 Victorian Domestic Gothic Fiction
- 2.13 The Gothic in Nineteenth-Century Spain
- 2.14 The Gothic in Nineteenth-Century Italy
- 2.15 The Gothic in Nineteenth-Century Scotland
- 2.16 The Gothic in Nineteenth-Century Ireland
- 2.17 The Gothic in Nineteenth-Century America
- 2.18 Nineteenth-Century British and American Gothic and the History of Slavery
- 2.19 Genealogies of Monstrosity: Darwin, the Biology of Crime and Nineteenth-Century British Gothic Literature
- 2.20 Gothic and the Coming of the Railways
- 2.21 Gothic Imperialism at the Fin de siècle
- Select Bibliography
- Index
Summary
Poetry in the nineteenth century is often described as ‘haunted’; that is, as being replete with spectres and poignantly aware of its literary predecessors. From their readings of early Gothic fiction, the poets of the period learned both to celebrate and to mourn the past, an approach that is evident across a wide range of texts. Close reading demonstrates not only how the aesthetics but also the underlying anxieties of the Gothic permeate Victorian poetry, transforming Gothic into an acutely contemporary mode. To read Victorian poetry as Gothic offers a point of entry into the darker anxieties of the age, represented in miniature with splinters of Gothic anxiety. This chapter focuses on the ways in which poets such as Thomas Hood, James Thomson, Alfred, Lord Tennyson, Robert Browning, Dante Gabriel Rossetti and Mary Coleridge appropriate Gothic aesthetics to reflect a nineteenth-century unease with social change, faith and death, looking backwards to the Gothic past and forwards to an uncertain future.
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- The Cambridge History of the Gothic , pp. 204 - 223Publisher: Cambridge University PressPrint publication year: 2020