Book contents
- The Cambridge History of the Novel in French
- The Cambridge History of the Novel in French
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Note on Conventions
- Chronology
- Introduction
- Part I Beginnings: From the Late Medieval to Madame de Lafayette
- Part II The Eighteenth Century: Learning, Letters, Libertinage
- Part III After the Revolution: The Novel in the Long Nineteenth Century
- Part IV From Naturalism to the Nouveau Roman
- Part V Fictions of the Fifth Republic: From de Gaulle to the Internet Age
- Index
- References
Part V - Fictions of the Fifth Republic: From de Gaulle to the Internet Age
Published online by Cambridge University Press: 04 February 2021
Edited by
Book contents
- The Cambridge History of the Novel in French
- The Cambridge History of the Novel in French
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Note on Conventions
- Chronology
- Introduction
- Part I Beginnings: From the Late Medieval to Madame de Lafayette
- Part II The Eighteenth Century: Learning, Letters, Libertinage
- Part III After the Revolution: The Novel in the Long Nineteenth Century
- Part IV From Naturalism to the Nouveau Roman
- Part V Fictions of the Fifth Republic: From de Gaulle to the Internet Age
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge History of the Novel in French , pp. 541 - 743Publisher: Cambridge University PressPrint publication year: 2021
References
Further Reading
Baetens, Jan, ‘Free Writing, Constrained Writing: The Ideology of Form’, Poetics Today, 18.1 (1997), 1–14Google Scholar
Bénabou, Marcel, ‘Roman oulipien ou roman d’Oulipiens?’, Pages des libraires, 44 (1997), 31Google Scholar
Bens, Jacques, ‘Queneau oulipien’, in Oulipo, , Atlas de littérature potentielle (Paris: Gallimard, 1981)Google Scholar
Bloomfield, Camille, ‘L’Oulipo dans l’histoire des groupes et mouvements littéraires: une mise en perspective’, La Licorne, 100 (2012), 1–14Google Scholar
Burgelin, Claude, Les Parties de dominos chez Monsieur Lefèvre: Perec avec Freud, Perec contre Freud (Paris: Circé, 1996)Google Scholar
James, Alison, ‘Écritures en collaboration’, in Oulipo, mode d’emploi, ed. by Reggiani, Christiane and Schaffner, Alain (Paris: Honoré Champion, 2016), pp. 303–15Google Scholar
Lescure, Jean, ‘Petite histoire de l’Oulipo’, in Oulipo, , La Littérature potentielle: créations, re-créations, récréations (Paris: Gallimard, 1973), pp. 28–40Google Scholar
Motte, Warren, The Poetics of Experiment: A Study of the World of Georges Perec (Lexington: French Forum Monographs, 1984)Google Scholar
Motte, Warren, ‘Raymond Queneau and the Aesthetic of Formal Constraint’, Romanic Review, 82.2 (1991), 193–209Google Scholar
Neefs, Jacques, ‘Georges Perec: Distributive Constraints, Textual Liberties’, Journal of Romance Studies, 16 (2007), 59–74Google Scholar
Perec, Georges, Entretiens et conférences I: 1965–1978 (Paris: Éditions Joseph K, 2003)Google Scholar
Roubaud, Jacques, ‘Deux principes parfois respectés par les travaux oulipiens’, in Oulipo, Atlas de la littérature potentielle (Paris: Gallimard, 1981)Google Scholar
Roubaud, Jacques, ‘L’auteur oulipien’, in L’Auteur et le manuscrit, ed. by Contat, Michel (Paris: Presses Universitaires de France, 1991), pp. 77–92Google Scholar
Tahar, Virginie, ‘Du Roman oulipien au roman de l’Oulipo’, in Oulipo, mode d’emploi, ed. by Reggiani, Christelle and Schaffner, Alain (Paris: Honoré Champion, 2016), pp. 207–22Google Scholar
Further Reading
Barthes, Roland, Le Degré zéro de l’écriture, in Œuvres complètes, ed. by Marty, Éric, 5 vols. (Paris: Seuil, 2002), i, pp. 171–224Google Scholar
Barthes, Roland, La Préparation du roman I et II: cours et séminaires au Collège de France 1978–1979 et 1979–1980, ed. by Léger, Nathalie (Paris: Seuil/IMEC, 2003)Google Scholar
Barthes, Roland, ‘Table ronde sur Proust’, in Deleuze, Gilles, Deux régimes de fous: textes et entretiens 1975–1995, ed. by Lapoujade, David (Paris: Minuit, 2003), pp. 29–55Google Scholar
Barthes, Roland et al., Communications, 8: l’analyse structurale du récit (Paris: Seuil, 1981)Google Scholar
Bourdieu, Pierre, Les Règles de l’art: genèse et structure du champ littéraire (Paris: Seuil, 1992)Google Scholar
Bourdieu, Pierre, The Field of Cultural Production: Essays on Art and Literature, ed. by Johnson, Randal (New York: Columbia University Press, 1993)Google Scholar
Deleuze, Gilles and Guattari, Félix, Kafka: pour une littérature mineure (Paris: Minuit, 1975)Google Scholar
Derrida, Jacques, ‘Force et signification’, in L’Écriture et la différence (Paris: Seuil, 1967), pp. 9–49Google Scholar
Genette, Gérard, ‘Discours du récit: essai de méthode’ in Figures III (Paris: Seuil, 1972)Google Scholar
Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc, L’Absolu littéraire: théorie du romantisme allemand (Paris: Seuil, 1978)Google Scholar
Man, Paul de, ‘The Literary Self as Origin: The Work of Georges Poulet’, in Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism, 2nd edn (London: Routledge, 1993), pp. 79–10Google Scholar
O’Meara, Lucy, Roland Barthes at the Collège de France (Liverpool: Liverpool University Press, 2012)Google Scholar
Poulet, Georges, ‘Phenomenology of Reading’, New Literary History, 1.1 (1969), 53–68CrossRefGoogle Scholar
Prince, Gerald, ‘Narratology’, in The Cambridge History of Literary Criticism, Volume VIII: From Formalism to Poststructuralism, ed. by Selden, Raman (Cambridge: Cambridge University Press, 1995), pp. 110–30Google Scholar
Further Reading
Britton, Celia, Édouard Glissant and Postcolonial Theory: Strategies of Language and Resistance (Charlottesville: University Press of Virginia, 1999)Google Scholar
Britton, Celia, Language and Literary Form in French Caribbean Writing (Liverpool: Liverpool University Press, 2014)Google Scholar
Britton, Celia, Perspectives on Culture and Politics in the French Antilles (Oxford: Legenda, 2018)Google Scholar
Burton, Richard D. E., Le Roman marron: études sur la littérature martiniquaise contemporaine (Paris: L’Harmattan, 1997)Google Scholar
Chancé, Dominique, L’Auteur en souffrance: essai sur la position et la représentation de l’auteur dans le roman antillais contemporain (1981–1992) (Paris: Presses Universitaires de France, 2000)Google Scholar
Condé, Maryse and Cottenet-Hage, Madeleine (eds.), Penser la créolité (Paris: Karthala, 1995)Google Scholar
Gallagher, Mary, Soundings in French Caribbean Writing Since 1950: The Shock of Space and Time (Oxford: Oxford University Press, 2002)Google Scholar
Gallagher, Mary (ed.), Ici-là: Place and Displacement in Caribbean Writing in French (Amsterdam and New York: Rodopi, 2003)Google Scholar
Haigh, Sam (ed.), An Introduction to Francophone Caribbean Writing: Guadeloupe and Martinique (Oxford: Berg, 1999)Google Scholar
McCusker, Maeve, Patrick Chamoiseau: Recovering Memory (Liverpool: Liverpool University Press, 2007)Google Scholar
Milne, Lorna, Patrick Chamoiseau: espaces d’une écriture antillaise (Amsterdam and New York: Rodopi, 2006)Google Scholar
Moudileno, Lydie, L’Écrivain antillais au miroir de sa littérature (Paris: Karthala, 1997)Google Scholar
Murdoch, H. Adlai, Creole Identity in the French Caribbean Novel (Gainesville: University Press of Florida, 2001)Google Scholar
Ormerod, Beverley, An Introduction to the French Caribbean Novel (London: Heinemann, 1985)Google Scholar
Further Reading
Bensmaïa, Réda, Experimental Nations, or, the Invention of the Maghreb (Princeton, NJ: Princeton University Press, 2003)Google Scholar
Bonn, Charles and Rothe, Arnold (eds.), Littérature maghrébine et littérature mondiale (Würzburg: Verlag Königshausen & Neumann, GmbH, 1995)Google Scholar
Célestin, Roger, Crowley, Patrick, DalMolin, Eliane and MacDonald, Megan (eds.), The Contemporary Roman Maghrébin: Aesthetics, Politics, Production (Contemporary French and Francophone Studies, 20.1 (2016))Google Scholar
Chikhi, Beida, ‘Une visite dans l’atelier itinérant d’Assia Djebar’, Esprit Créateur, 48.4 (2008), 117–28Google Scholar
Esposito, Claudia, Tamalet Talbayev, Edwige, Abderrezak, Hakim (eds.), Le Maghreb méditerranéen: littératures et plurilinguisme (Expressions maghrébines, 11.2 (2012))Google Scholar
Gafaïti, Hafid, ‘Between God and the President: Literature and Censorship in North Africa’, Diacritics, 27.2 (1997), 59–84Google Scholar
Gafaïti, Hafid, La Diasporisation de la littérature postcoloniale: Assia Djebar, Rachid Mimouni (Paris: L’Harmattan, 2005)Google Scholar
Gikandi, Simon, ‘Theory after Postcolonial Theory: Rethinking the Work of Mimesis’, in Theory After ‘Theory’, ed. by Elliott, Jane and Attridge, Derek (London: Routledge, 2011), pp. 163–78Google Scholar
Harrison, Nicholas, Postcolonial Criticism: History, Theory, and the Work of Fiction (Cambridge: Polity, 2003)Google Scholar
Hiddleston, Jane, Writing After Postcolonialism: Francophone North African Literature in Transition (London: Bloomsbury, 2017)Google Scholar
Mortimer, Mildred, ‘Entretien avec Assia Djebar’, Research in African Literatures, 19.2 (1988), 197–203Google Scholar
Mvogo, Faustin (ed.), Le Printemps arabe: prémisses et autopsie littéraires (Paris: L’Harmattan, 2012)Google Scholar
Ouali Alami, Abdallah and Valat, Colette, ‘Décloisonner le discours sur la littérature arabe francophone’, Horizons maghrébins: le droit à la mémoire, 52 (2005), 5–8.Google Scholar
Ouyang, Wen-chin, Politics of Nostalgia in the Arabic Novel: Nation-State, Modernity, and Tradition (Edinburgh: Edinburgh University Press, 2013)Google Scholar
Rothberg, Michael, Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (Stanford: Stanford University Press, 2009)Google Scholar
Šukys, Julija, Silence is Death: The Life and Work of Tahar Djaout (Lincoln, NE and London: University of Nebraska Press, 2007)Google Scholar
Further Reading
Abiola Irele, Francis (ed.), The Cambridge Companion to the African Novel (Cambridge: Cambridge University Press, 2009)Google Scholar
Adesanmi, Pius, ‘Redefining Paris: Trans-Modernity and Francophone African Migritude Fiction’, MFS Modern Fiction Studies, 51.4 (2005), 958–75Google Scholar
Andrade, Susan Z., ‘The Problem of Realism and African Fiction’, Novel, 42.2 (2009), 183–9Google Scholar
Bush, Ruth, Publishing Africa in French: Literary Institutions and Decolonization 1945–1967 (Liverpool: Liverpool University Press, 2016)Google Scholar
Cazenave, Odile and Célérier, Patricia, Contemporary Francophone Writers and the Burden of Commitment (Charlottesville, VA: University of Virginia Press, 2011)Google Scholar
Ducournau, Claire, La Fabrique des classiques africains: écrivains d’Afrique subsaharienne francophone (Paris: CNRS Éditions, 2017)Google Scholar
Fonkoua, Romuald and Halen, Pierre (eds.), Les Champs littéraires africains (Paris: Karthala, 2001)Google Scholar
Garnier, Xavier and Coulon, Virginie (eds.), Les Littératures Africaines: textes et terrains (Paris: Karthala, 2011)Google Scholar
Higginson, Pim, The Noir Atlantic: Chester Himes and the Birth of the Francophone Crime Novel (Liverpool: Liverpool University Press, 2011)Google Scholar
Hitchcott, Nicki, Rwanda Genocide Stories: Fiction After 1994 (Liverpool: Liverpool University Press, 2015)Google Scholar
Krishnan, Madhu, Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel (Woodbridge: Boydell and Brewer, 2018)Google Scholar
Miller, Christopher, Theories of Africans: Francophone Literature and Anthropology in Africa (Chicago: University of Chicago Press, 1993)Google Scholar
Moudileno, Lydie, ‘The Francophone Novel in Sub-Saharan Africa’, in The Cambridge Companion to the African Novel, ed. by Abiola Irele, , pp. 125–40.Google Scholar
Moudileno, Lydie, Littératures africaines francophones des années 1980 et 1990 (Dakar: CODESRIA, 2003)Google Scholar
Newell, Stephanie, West African Literatures: Ways of Reading (Oxford: Oxford University Press, 2006)Google Scholar
Ngal, George, Orientations actuelles de la littérature et de la pensée africaine (Paris: L’Harmattan, 2010)Google Scholar
Soumaré, Zakaria, Le Génocide rwandais dans la littérature africaine francophone (Paris: L’Harmattan, 2014)Google Scholar
Thomas, Dominic and Mabanckou, Alain (eds.), Francophone Sub-Saharan Literature in Global Contexts (Yale French Studies, 120 (2011))Google Scholar
Further Reading
Ausoni, Alain, Mémoires d’outre-langue: l’écriture translingue de soi (Geneva: Slatkine, 2018)Google Scholar
Brincourt, André, Langue française, terre d’accueil (Monaco: Éditions du Rocher, 1997)Google Scholar
Delbert, Anne-Rosine, Les Exilés du langage: un siècle d’écrivains français venus d’ailleurs (1919–2000) (Paris: Pulim, 2005)Google Scholar
Dutton, Jacqueline, ‘World Literature in French, Littérature-Monde, and the Translingual Turn’, French Studies, 70.3 (2016), 404–18Google Scholar
Forsdick, Charles, ‘French Literature as World Literature: Reading the Translingual Text’, in The Cambridge Companion to French Literature, ed. by Lyons, John (Cambridge: Cambridge University Press, 2015), pp. 204–21Google Scholar
Gasquet, Axel and Suárez, Modesta (eds.), Écrivains multilingues et écritures métisses: l’hospitalité des langues (Clermont-Ferrand: Presses Universitaires Blaise Pascal, 2007)Google Scholar
Hargreaves, Alec G., Forsdick, Charles, and Murphy, David (eds.), Transnational French Studies: Postcolonialism and Littérature-Monde (Liverpool: Liverpool University Press, 2010)Google Scholar
Jouanny, Robert, Singularités francophones, ou choisir d’écrire en français (Paris: Presses Universitaires de France, 2000)Google Scholar
Kellman, Steven G., The Translingual Imagination (Lincoln, NE: University of Nebraska Press, 2000)Google Scholar
Kellman, Steven G. (ed.), Switching Languages: Translingual Writers Reflect on their Craft (Lincoln, NE: University of Nebraska Press, 2003)Google Scholar
Kippur, Sara, Writing It Twice: Self-Translation and the Making of a World Literature in French (Evanston: Northwestern University Press, 2015)Google Scholar
Migraine-George, Thérèse, From Francophonie to World Literature in French: Ethics, Poetics, and Politics (Lincoln, NE: University of Nebraska Press, 2013)Google Scholar
Porra, Véronique, Langue française, langue d’adoption: une littérature ‘invitée’ entre création, stratégies et contraintes (1946–2000) (Hildesheim: Olms, 2011)Google Scholar
Further Reading
English, James F., The Economy of Prestige: Prizes, Awards and the Circulation of Cultural Value (Cambridge, MA: Harvard University Press, 2005)Google Scholar
Epsmark, Kjell, ‘The Nobel Prize in Literature’, in The Nobel Prize: The First Hundred Years, ed. by Levinovitz, Agneta Wallin and Ringertz, Nils (London: Imperial College Press, 1999), pp. 137–62Google Scholar
Ferrier, J.-L. et al., ‘Les Livres de “Poche”’, Les Temps Modernes, 227 and 228 (April and May 1965), 1729–1818 and 1965–2001Google Scholar
Gouze, Roger, Les Bêtes à Goncourt: un demi-siècle de batailles littéraires (Paris: Hachette, 1973)Google Scholar
Schwartz, William Leonard, ‘A Literary Portrait of M. André Thérive, Crusader for Good French and for “the Novel for the Novel’s Sake”’, The French Review, 5.5 (1932), 376–94Google Scholar
Weston-Evans, Phoebe and Nettelbeck, Colin, ‘Changing Perspectives: France’s Post-war Laureates and the Nobel Prize for Literature’, French Cultural Studies, 28.4 (2017), 399–414Google Scholar
Further Reading
Boulé, Jean-Pierre, Hervé Guibert: Voices of the Self (Liverpool: Liverpool University Press, 1999)Google Scholar
Burgelin, Claude, Grell, Isabelle and Roche, Roger-Yves (eds.), Autofiction(s): colloque de Cerisy (Lyon: Presses Universitaires de Lyon, 2010)Google Scholar
Colonna, Vincent, Autofiction et autres mythomanies littéraires (Auch: Tristram, 2004)Google Scholar
Darrieussecq, Marie, ‘L’Autofiction, un genre pas sérieux’, Poétique, 107 (1996), 369–80Google Scholar
Doubrovsky, Serge, Lecarme, Jacques and Lejeune, Philippe (eds.), Autofictions & cie (Nanterre: Université Paris X-Nanterre, 1993)Google Scholar
Gasparini, Philippe, Poétiques du je: du roman autobiographique à l’autofiction (Lyon: Presses Universitaires de Lyon, 2016)Google Scholar
Hugueny-Léger, Élise, ‘Broadcasting the Self: Autofiction, Television and Representation of Authorship in Contemporary French Literature’, Life Writing, 14.1 (2016), 5–18Google Scholar
Jeannelle, Jean-Louis, and Viollet, Catherine (eds.), Genèse et autofiction (Louvain-la-Neuve: Bruylant Academia, 2007)Google Scholar
Simonet-Tenant, Françoise (ed.), Dictionnaire de l’autobiographie: écritures de soi de langue française (Paris: Honoré Champion, 2017)Google Scholar
Further Reading
Blanchet, Marc and Masson, Jean-Yves, Gérard Macé (Revue des Sciences Humaines, 297 (2010))Google Scholar
Blanckeman, Bruno and Dambre, Marc (eds.), Romanciers minimalistes 1979–2003 (Paris: Presses Sorbonne Nouvelle, 2012)Google Scholar
Braudeau, Michel, Proguidis, Lakis, Salgas, Jean-Pierre and Viart, Dominique, Le Roman français contemporain (Paris: Ministère des affaires étrangères, 2002)Google Scholar
Cruickshank, Ruth, Fin de millénaire French Fiction: The Aesthetics of Crisis (Oxford: Oxford University Press, 2009)Google Scholar
Davis, Colin and Fallaize, Elizabeth, French Fiction in the Mitterand Years: Memory, Narrative, Desire (Oxford: Oxford University Press, 2000)Google Scholar
Demanze, Laurent, Encres orphelines: Pierre Bergounioux, Gérard Macé, Pierre Michon (Paris: Corti, 2008)Google Scholar
Duffy, Jean, Thresholds of Meaning: Passage, Ritual and Liminality in Contemporary French Literature (Liverpool: Liverpool University Press, 2011)Google Scholar
Fortin, Jutta Emma, Method in Madness: Control Mechanisms in the French Fantastic (Amsterdam and New York: Rodopi, 2005)Google Scholar
Gros, Karine, L’Œuvre de Gérard Macé, une ‘oltracuidanza poetica’ (Quebec: Éditions Nota Bene, 2008)Google Scholar
Hartog, François, Régimes d’historicité: présentisme et expérience du temps (Paris: Seuil, 2003)Google Scholar
Hippolyte, Jean-Louis, Fuzzy Fiction (Lincoln, NE: University of Nebraska Press, 2006)Google Scholar
Hutton, Margaret-Anne, Redefining the Real: The Fantastic in Contemporary French and Francophone Women’s Writing (Bern: Peter Lang, 2009)Google Scholar
Jordan, Shirley, Contemporary French Women’s Writing: Women’s Visions, Women’s Voices, Women’s Lives (Bern: Peter Lang, 2004)Google Scholar
Kawakami, Akane, Photobiography: Photographic Self-Writing in Proust, Guibert, Ernaux, Macé (Oxford: Legenda, 2013)Google Scholar
Kemp, Simon, French Fiction into the Twenty-First Century: The Return to the Story (Cardiff: University of Wales Press, 2010)Google Scholar
Lee, Mark D., Les Identités d’Amélie Nothomb: de l’invention médiatique aux fantasmes originaires (Amsterdam and New York: Rodopi, 2010)Google Scholar
Rubino, Gianfranco and Viart, Dominique, Écrire le présent (Paris: Armand Colin, 2012)Google Scholar
Rye, Gill and Worton, Michael (eds.), Women’s Writing in Contemporary France: New Writers, New Literatures in the 1990s (Manchester: Manchester University Press, 2002)Google Scholar
Andy, Stafford, Photo-texts: Contemporary French Writing of the Photographic Image (Liverpool: Liverpool University Press, 2010)Google Scholar
Further Reading
Allison, Maggie and Angela, Kershaw (eds.), Parcours de Femmes: Twenty Years of Women in French (Oxford: Peter Lang, 2011)Google Scholar
Atack, Margaret, Diana, Holmes, Diana, Knight and Judith, Still (eds.), Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize (Oxford: Legenda, 2012)Google Scholar
Damlé, Amaleena, The Becoming of the Body: Contemporary Women’s Writing in French (Edinburgh: Edinburgh University Press, 2014)Google Scholar
Damlé, Amaleena, and Rye, Gill, Women’s Writing in Twenty-First-Century France: Life as Literature (Cardiff: University of Wales Press, 2013)Google Scholar
Jordan, Shirley Ann, Contemporary Women’s Writing in French: Women’s Visions, Women’s Voices, Women’s Lives (Bern: Peter Lang, 2004)Google Scholar
Jordan, Shirley Ann, Private Lives, Public Display: Intimacy and Excess in French Women’s Self-Narrative (Liverpool: Liverpool University Press, 2019)Google Scholar
Morello, Nathalie, and Rodgers, Catherine (eds.), Nouvelles écrivaines: nouvelles voix? (Amsterdam: Rodopi, 2004)Google Scholar
Rye, Gill, Narratives of Mothering: Women’s Writing in Contemporary France (Newark, DE: University of Delaware Press, 2009)Google Scholar
Rye, Gill, and Worton, Michael (eds.), Women’s Writing in Contemporary France: New Writers, New Literatures (Manchester: Manchester University Press, 2002)Google Scholar
Stephens, Sonya (ed.), A History of Women’s Writing in France (Cambridge: Cambridge University Press, 2000)Google Scholar
Touya de Marenne, Éric (ed.), Francophone Women Writers: Feminisms, Postcolonialisms, Cross-Cultures (Lanham, MD: Lexington Books, 2011)Google Scholar
Further Reading
Beaudouin, Valérie, ‘Trajectoires et réseau des écrivains sur le Web’, Réseaux, 175 (2012), 107–44Google Scholar
Bonnet, Gilles, Pour une poétique numérique: littérature et internet (Paris: Hermann, 2017)Google Scholar
Bootz, Philippe, Les Basiques: la littérature numérique (Leonardo/Olats, 2006), www.olats.org/livresetudes/basiques/litteraturenumerique/basiquesLN.php (accessed July 2019)Google Scholar
Bouchardon, Serge, ‘Digital Literature in France’, Dichtung Digital, 41 (2012), www.dichtung-digital.de/digital-literature-in-france-3/ (accessed July 2019)Google Scholar
Epron, Benoît, and Vitali-Rosati, Marcello, L’Édition à l’ère numérique (Paris: La Découverte, 2018)CrossRefGoogle Scholar
Guilet, Anaïs, ‘Pour une littérature cyborg: l’hybridation médiatique du texte littéraire’ (doctoral thesis, University of Poitiers, 2013), https://archipel.uqam.ca/6010/1/D2569.pdf (accessed July 2019)Google Scholar
Krzywkowski, Isabelle, Machines à écrire: littérature et technologies du XIXe au XXIe siècle (Grenoble: UGA Éditions, 2017), http://books.openedition.org/ugaeditions/550 (accessed July 2019)Google Scholar
Martel, Frédéric, L’Écrivain ‘social’: la condition de l’écrivain à l’âge numérique (Paris: Centre national du Livre, 2015), gallery.mailchimp.com/1e809b25a8e0be448d87c3d87/files/ressource_fichier_fr_condition_a_crivain_monde_numa_rique_rapport_2015_11_09_ok.pdf (accessed July 2019)Google Scholar
Murray, Janet Horowitz, Hamlet on the Holodeck: The Future of Narrative in Cyberspace (New York: The Free Press, Simon and Schuster, 1997)Google Scholar
Saemmer, Alexandra et al., E-Formes, 3 vols. (Saint-Étienne: Publications de l’Université de Saint-Étienne, 2015)Google Scholar
Schäfer, Jörgen and Gendolla, Peter (eds.), Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Bielefeld and New Brunswick, NJ: transcript Verlag, 2015)Google Scholar