Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-29T03:32:54.840Z Has data issue: false hasContentIssue false

29 - The Holocaust and the Novel in French

from Part IV - From Naturalism to the Nouveau Roman

Published online by Cambridge University Press:  04 February 2021

Adam Watt
Affiliation:
University of Exeter
Get access

Summary

The Holocaust poses a challenge to creative writers: can and should horrific events be used as the subject matter for literature? In the early post-war years French novelists were often reticent about giving direct, fictional portrayals of the Holocaust. Some developed experimental approaches which questioned and tested the limits of literary representation, crossing boundaries between truth and invention, testimony and fiction. Throughout these works there is a sense that the Holocaust both must and cannot be represented, that the memory must be kept alive even if the subject resists the capabilities of literary fiction. Despite the passing of time, there is no sign that the Holocaust is fading from the French literary scene. On the contrary, Jonathan Littell’s controversial novel Les Bienveillantes (2006) and a host of other recent publications suggest that it continues to fascinate and challenge French novelists.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Davis, Colin, Traces of War: Interpreting Ethics and Trauma in Twentieth-Century French Writing (Liverpool: Liverpool University Press, 2018)Google Scholar
Ezrahi, Sidra Dekoven, By Words Alone: The Holocaust in Literature (Chicago and London: University of Chicago Press, 1980)Google Scholar
Franklin, Ruth, A Thousand Darknesses: Lies and Truth in Holocaust Fiction, (Oxford: Oxford University Press, 2011)Google Scholar
Marquart, Sharon, On the Defensive: Reading the Ethical in Nazi Camp Testimonies (Toronto: University of Toronto Press, 2015)Google Scholar
Mesnard, Philippe, Témoignage en résistance (Paris: Stock, 2007)Google Scholar
Rothberg, Michael, Traumatic Realism: The Demands of Holocaust Representation (Minneapolis and London: University of Minnesota Press, 2000)Google Scholar
Sanyal, Debarati, Memory and Complicity: Migrations of Holocaust Memory, (New York: Fordham University Press, 2015)Google Scholar
Silverman, Max, Palimpsestic Memory: The Holocaust and Colonialism in French and Francophone Fiction and Film (New York and Oxford: Berghahn, 2013)Google Scholar
Vice, Sue, Holocaust Fiction (New York and London: Routledge, 2000)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×