Book contents
- The Cambridge History of World Literature
- The Cambridge History of World Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Part I Genealogies
- 1 Ancient World Literature
- 2 The Silk Roads of World Literature
- 3 Arabic Literary Prose, Adab Literature, and the Formation of Islamicate Imperial Culture
- 4 Worldmaking and Early Modernity: Cartographic Poesis in Europe and South Asia
- 5 Colonial Philology and the Origins of World Literature
- 6 Globalism’s Prehistory: Technologies of Modernism
- 7 After 1945: Holocaust Memory, Postcoloniality, and World History
- 8 World Literature after 1989: Revolutions in Motion
- Part II Thinking the World
- Part III Transregional Worlding
- Part IV Cartographic Shifts
- Part V World Literature and Translation
- Part VI Poetics, Genre, Intermediality
- Part VII Scales, Polysystems, Canons
- Part VIII Modes of Reading and Circulation
- Part IX The Worldly and the Planetary
- Index
- References
6 - Globalism’s Prehistory: Technologies of Modernism
from Part I - Genealogies
Published online by Cambridge University Press: 17 August 2021
- The Cambridge History of World Literature
- The Cambridge History of World Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Part I Genealogies
- 1 Ancient World Literature
- 2 The Silk Roads of World Literature
- 3 Arabic Literary Prose, Adab Literature, and the Formation of Islamicate Imperial Culture
- 4 Worldmaking and Early Modernity: Cartographic Poesis in Europe and South Asia
- 5 Colonial Philology and the Origins of World Literature
- 6 Globalism’s Prehistory: Technologies of Modernism
- 7 After 1945: Holocaust Memory, Postcoloniality, and World History
- 8 World Literature after 1989: Revolutions in Motion
- Part II Thinking the World
- Part III Transregional Worlding
- Part IV Cartographic Shifts
- Part V World Literature and Translation
- Part VI Poetics, Genre, Intermediality
- Part VII Scales, Polysystems, Canons
- Part VIII Modes of Reading and Circulation
- Part IX The Worldly and the Planetary
- Index
- References
Summary
This essay considers modernist internationalism and formal mutation in light of the globalized media ecology brought about by imperialism’s capitalist monopoly of the world-system. Since imperialism and colonialism constituted the first ever properly global system of control and circulation, modernism’s global imaginary and technical innovations cannot be understood outside of a world economic and technological frame. Building on scholarly narratives of modernism’s global vision and its metropolitan incorporation of the colonial periphery/“other,” this article shows how new media technology allowed for the rounding of the world and the advent of new literary forms such as the montage. Media discussed include cinema, photography, magazines, and the phonograph, while poets considered include but are not limited to Claude McKay, Langston Hughes, Vladimir Mayakovsky, and Blaise Cendrars.
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- Information
- The Cambridge History of World Literature , pp. 148 - 162Publisher: Cambridge University PressPrint publication year: 2021