Book contents
- Caribbean Literature in Transition, 1970–2020
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1970–2020
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction: Caribbean Assemblages, 1970s–2020
- Part I Literary and Generic Transitions
- Chapter 1 Writing and the Responsibility to Memory: The Role of White Female Planters in Contemporary Caribbean Novels
- Chapter 2 Caribbean Identities and Diversifying the Creole Mix
- Chapter 3 Carnival, Calypso and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing
- Chapter 4 Life Writing, Gender and Caribbean Narrative 1970–2015: Itinerant Self-Making in the Postcolonial Caribbean
- Chapter 5 Forwarding Dubpoetry in this Generation: A Grassroots Performance and Neo-Literary Genre in Transition
- Chapter 6 Postcolonial Ruins, Reconstructive Poetics: Caribbean Urban Imaginaries
- Chapter 7 Reimagining Caribbean Time and Space: Speculative Fiction
- Chapter 8 Caribbean Drama and Performance
- Chapter 9 Here Are the Others: Caribbean Creative Nonfiction
- Chapter 10 ‘Let Every Child Run Wild’: Cultural Identity and the Role of the Child in Caribbean Children’s and Young Adult Fiction
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Bibliography
- Index
Chapter 1 - Writing and the Responsibility to Memory: The Role of White Female Planters in Contemporary Caribbean Novels
from Part I - Literary and Generic Transitions
Published online by Cambridge University Press: 16 December 2020
- Caribbean Literature in Transition, 1970–2020
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1970–2020
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction: Caribbean Assemblages, 1970s–2020
- Part I Literary and Generic Transitions
- Chapter 1 Writing and the Responsibility to Memory: The Role of White Female Planters in Contemporary Caribbean Novels
- Chapter 2 Caribbean Identities and Diversifying the Creole Mix
- Chapter 3 Carnival, Calypso and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing
- Chapter 4 Life Writing, Gender and Caribbean Narrative 1970–2015: Itinerant Self-Making in the Postcolonial Caribbean
- Chapter 5 Forwarding Dubpoetry in this Generation: A Grassroots Performance and Neo-Literary Genre in Transition
- Chapter 6 Postcolonial Ruins, Reconstructive Poetics: Caribbean Urban Imaginaries
- Chapter 7 Reimagining Caribbean Time and Space: Speculative Fiction
- Chapter 8 Caribbean Drama and Performance
- Chapter 9 Here Are the Others: Caribbean Creative Nonfiction
- Chapter 10 ‘Let Every Child Run Wild’: Cultural Identity and the Role of the Child in Caribbean Children’s and Young Adult Fiction
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Bibliography
- Index
Summary
The white female planter is an understudied figure in Caribbean history and literature. This essay follows the idea of the gendered responsibility to memory using the methodology of feminist rehearsal to examine representations of white women plantation owners in a range of contemporary Caribbean novels. The essay recounts the heated debates among the region’s literary critics and writers around the status of the white woman as author and character, while also looking at the literary characterization of women who had titular (or representative) plantation power and others who owned plantations outright. Most of the novels deploy intertextuality and multiple timelines to recuperate and consciously rehearse experiences missing or invisible in official chronicles. These novels explore the intersectional ideological negotiations that shaped the imperial spaces of the plantation and the lives that were lived within that terrain.
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- Caribbean Literature in Transition, 1970–2020 , pp. 21 - 36Publisher: Cambridge University PressPrint publication year: 2021