Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-13T08:32:04.431Z Has data issue: false hasContentIssue false

1 - Carmen at Home and Abroad

from Part I - Establishment in Paris and the Repertoire

Published online by Cambridge University Press:  18 September 2020

Richard Langham Smith
Affiliation:
Royal College of Music, London
Clair Rowden
Affiliation:
Cardiff University
Get access

Summary

Why a transnational history of Carmen? Because Carmen is intrinsically born of – and about –migration and linguistic fluidity, and because Bizet’s opera has been transcended by the myth or symbol of Carmen, taken to mean many things in multiple contexts. This chapter lays the foundations for the rest of the book by highlighting the main sources – Mérimée’s novella, the opera libretto, its first stagings and scores – as well as challenging the precepts of a transnational history of opera, and attempts to weave the individual chapters together, draw out overlapping themes, challenge expected narratives, point up contradictions. In short, whether in relation to genre, singers or binary oppositions of geography, identity, morality and progress, the chapter outlines the main debates addressed and synthesises the kaleidoscopic nature of the findings of all contributors. From Spanish gypsies to French Hispanomania in music and dance, from Parisian reception to transnationalism in opera studies, from Parisian opéra-comique to international hybrid spectacle, this chapter signals the issues that are omnipresent in the performance and reception of Carmen at home and abroad.

Type
Chapter
Information
Carmen Abroad
Bizet's Opera on the Global Stage
, pp. 3 - 25
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources

Le Français

Le National

La Revue des deux mondes

Le Temps

Le Théâtre

L’Union

Newspapers

Le Français

Le National

La Revue des deux mondes

Le Temps

Le Théâtre

L’Union

General Bibliography

Grand dictionnaire universel Larousse du XIXe siècle. Paris, Administration du Grand dictionnaire universel, 1875.Google Scholar
Popular French Novels. London, Vizetelly, 1881.Google Scholar
Bachmann-Medick, Doris, ed. A Trans/National Study of Culture: A Translational Perspective. Berlin, De Gruyter, 2016.Google Scholar
Baker, Evan. ‘The scene designs for the first performances of Bizet’s “Carmen”’. 19th-Century Music, 13(3), 1990, 230–42.Google Scholar
Balard, Françoise. Geneviève Straus: Biographie et correspondance avec Ludovic Halévy, 1855–1908. Paris, CNRS Éditions, 2002.Google Scholar
Bennahum, Ninotchka Devorah. Carmen: A Gypsy Geography. Middletown, CT, Wesleyan University Press, 2013.Google Scholar
Bhabha, Homi K. The Location of Culture. London, Routledge, 1994.Google Scholar
Borrow, George. The Zincali, or, An Account of the Gypsies of Spain, with an original collection of their songs and poetry, and a copious dictionary of their language. London, John Murray, 1841. Published in French as La Bible en Espagne, Paris, Amyot, 1845.Google Scholar
Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature, ed. Johnson, Randal. Cambridge, Polity Press, 1993.Google Scholar
Clébert, Jean-Paul. The Gypsies, trans. Charles Duff. New York, E. P. Dutton, 1963.Google Scholar
Greenblatt, Stephen. Cultural Mobility. A Manifesto. Cambridge, Cambridge University Press, 2009.CrossRefGoogle Scholar
Grellmann, Heinrich. Histoire des Bohémiens, ou Tableau des mœurs, usages et coutumes de ce peuple nomade. Paris, J. Chaumerot, 1810.Google Scholar
Locke, Ralph P.Spanish local colour in Bizet’s Carmen: Unexplored borrowings and transformations’, in Fauser, Annegret and Everist, Mark, eds., Music, Theater, and Cultural Transfer: Paris, 1830–1914. Chicago, University of Chicago Press, 2009, 316–60.Google Scholar
Maingueneau, Dominique. Carmen: Les racines d’un mythe. Paris, Éditions du Sorbier, 1984.Google Scholar
Maingueneau, Dominique Féminin fatal. Paris, Descartes, 1999.Google Scholar
Manet, Édouard. Voyage en Espagne, ed. Wilson-Bareau, Juliet. Caen, L’Échoppe, 1988.Google Scholar
Mérimée, Prosper. Correspondance générale, ed. Parturier, Maurice, vol. IV. Paris, Le Divan, 1945.Google Scholar
Mérimée, ProsperCarmen’, in Romans et nouvelles, ed. Parturier, Maurice, vol. II. Paris, Garnier, 1967, 337409.Google Scholar
Murphy, Kerry. ‘Carmen: couleur locale or the real thing?’, in Fauser, Annegret and Everist, Mark, eds., Music, Theater, and Cultural Transfer: Paris, 1830–1914. Chicago, University of Chicago Press, 2009, 293315.Google Scholar
Niccolai, Michela. La dramaturgie de Gustave Charpentier. Turnhout, Brepols, 2012.Google Scholar
Nietzsche, Friedrich. Der Fall Wagner. Leipzig, Naumann, 1888.Google Scholar
Perriam, Chris, and Davies, Ann, eds., Carmen: From Silent Film to MTV. Amsterdam, Rodopi, 2005.Google Scholar
Powrie, Phil, Babington, Bruce, Davies, Ann, and Perriam, Chris, Carmen on Film: A Cultural History. Bloomington, IN, Indiana University Press, 2007.Google Scholar
Robertson, Roland. Globalization: Social Theory and Global Culture. London, Sage, 1992.Google Scholar
Robertson, RolandGlocalization: time–space and homogeneity–heterogeneity’, in Featherstone, M., Lash, S. and Robertson, R., eds., Global Modernity. London, Sage, 1995, 2544.CrossRefGoogle Scholar
Smith, Richard Langham. Uncovering Bizet’s ‘Carmen’. Woodbridge, Boydell & Brewer, 2020.Google Scholar
Stam, Robert, and Shohat, Ella. Race in Translation: Culture Wars around the Postcolonial Atlantic. New York, New York University Press, 2012.Google Scholar
Trahard, Pierre, and Josserand, Pierre. Bibliographie des œuvres de Prosper Mérimée. Paris, Champion, 1929; rpt. New York, Burt Franklin, 1971.Google Scholar
Ubersfeld, Anne. Reading Theatre. Toronto, University of Toronto Press, 1999.Google Scholar
Wolff, Stéphane. Un demi-siècle d’Opéra-Comique (1900–1950). Paris, A. Bonne, 1953.Google Scholar
Wright, Lesley, ed. Carmen: Dossier de presse parisienne (1875). Weinsberg, Lucie Galland, 2001.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×