Book contents
- Cold War Asia
- Cold War Asia
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- 1 Reframing Non-alignment
- 2 In the Image of Imelda
- 3 Meeting of the Kings
- 4 Conquering the World
- 5 Between Style and Substance
- 6 A Photograph with Two Stories
- 7 Waxwork Wars
- 8 Cosmic Envoy
- 9 A Diplomatic Image and Its Afterlife
- 10 Picturing Power
- Index
8 - Cosmic Envoy
Interkosmos and the Poetics of Late Socialist Spaceflight
Published online by Cambridge University Press: 30 January 2025
- Cold War Asia
- Cold War Asia
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- 1 Reframing Non-alignment
- 2 In the Image of Imelda
- 3 Meeting of the Kings
- 4 Conquering the World
- 5 Between Style and Substance
- 6 A Photograph with Two Stories
- 7 Waxwork Wars
- 8 Cosmic Envoy
- 9 A Diplomatic Image and Its Afterlife
- 10 Picturing Power
- Index
Summary
On 23 July 1980, Vietnamese pilot Phạm Tuân became the first Asian and the first citizen of a developing nation to fly in space when he participated in the Soyuz 37 mission to the Salyut space station. This elaborately staged, hugely expensive piece of cosmic theatre underlined Eastern bloc mastery of the technologies of space flight at the same time it emphasized international cooperation, social and racial inclusiveness, and engagement with the developing world. As much as Phạm Tuân’s flight formed part of the Eastern bloc’s global diplomatic strategies, it was also central to a vision of the new Socialist Republic of Vietnam as part of a revolutionary vanguard, defeating the forces of capitalism and imperialism and progressing towards a modern, industrialized, and prosperous future under the leadership of the Communist party. This chapter explores how representations of Phạm Tuân ’s historic space flight drew from conventional Soviet representations of cosmonauts and space flight, but also reflected particular Vietnamese cultures and contexts. The result sheds light on the important, but often overlooked cultural dimension of state power in late socialist Vietnam, and highlights not just the limits but also the potential to create a coherent, shared vision of the nation.
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- Cold War AsiaA Visual History of Global Diplomacy, pp. 167 - 189Publisher: Cambridge University PressPrint publication year: 2025