Book contents
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
16 - La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
Summary
Main cast
Virginia, played by María Rojo
Marcelo, played by José Alonso
Crew
Director: Jaime Humberto Hermosillo
Produced by: Clasa Films Mundiales, S.A.
Executive Producer: Lourdes Rivera
Producers: Pablo and Francisco Barbachano
Cinematography: Tony Kuhn
Sound: Nerio Barberis
Art Director: Laura Santa Cruz
Songs: ‘Bonita’ and ‘Superstición’ by Luis Arcaraz; ‘Momento’ by Los Hermanos
Martínez Gil
Plot
Set in a middle-class apartment in Mexico. We see a woman dressed in black tights and a red skirt concealing a camera under a table in the front room. A man arrives. From their conversation it transpires that she is a woman living on her own, he is divorced and the father of a six-year-old son, and they had a sexual relationship four years ago. She says she has called him because seeing a film had sparked her memory of how they had made love on the floor, and she had had a wet dream. She tries to persuade him to make love in the same place but he wants to go into the bedroom. He puts his jacket on the chair in front of the camera and blocks out the viewer, but – once she realises it – she removes it. He phones up his son who is at home alone, and reassures him that he will be home soon. They have a drink, dance, then start making love. But he says that he feels as if they are being watched. Then he sees the red light of the video camera. He asks why she has been filming him in secret and she says that it is for a homework assignment. He reacts angrily, knocks the camera, and then storms out in a huff. She then sits in front of the camera talking about her sexual hang-ups. He returns because he has forgotten his briefcase, and then is flattered to hear from her how good he is in bed. He says that he has got nothing against pornography, and then agrees to take part in her homework assignment. They strip and then make love in the hammock. Afterwards he gets up to leave, saying he has to go home to see his son. She sits in front of the camera, crying. He bursts back into the room, with two children. We discover that they are husband and wife, that they have two children, and that they have been trying to make a movie.
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- Information
- A Companion to Latin American Film , pp. 133 - 137Publisher: Boydell & BrewerPrint publication year: 2004