Book contents
- Frontmatter
- Dedication
- Contents
- Preface
- Acknowledgements
- List of Abbreviations
- Editorial Conventions
- Chapter 1 The ‘Lutes, Viols and Voices’
- Chapter 2 The Autograph Manuscripts
- Chapter 3 The Music for Lyra-Viol
- Chapter 4 The Royall Consort
- Chapter 5 The Viol Consorts
- Chapter 6 The Fantasia-Suites
- Chapter 7 The Harp Consorts
- Chapter 8 The Suites for Two Bass Viols and Organ
- Chapter 9 Conclusions
- Appendix 1 Source Descriptions
- Appendix 2 Index of Watermarks
- Bibliography
- Discography
- Index of Lawes’s Works Cited
- General Index
Appendix 2 - Index of Watermarks
Published online by Cambridge University Press: 01 March 2023
- Frontmatter
- Dedication
- Contents
- Preface
- Acknowledgements
- List of Abbreviations
- Editorial Conventions
- Chapter 1 The ‘Lutes, Viols and Voices’
- Chapter 2 The Autograph Manuscripts
- Chapter 3 The Music for Lyra-Viol
- Chapter 4 The Royall Consort
- Chapter 5 The Viol Consorts
- Chapter 6 The Fantasia-Suites
- Chapter 7 The Harp Consorts
- Chapter 8 The Suites for Two Bass Viols and Organ
- Chapter 9 Conclusions
- Appendix 1 Source Descriptions
- Appendix 2 Index of Watermarks
- Bibliography
- Discography
- Index of Lawes’s Works Cited
- General Index
Summary
THIS index is designed for use with IMCCM, the standard reference text for watermarks in English music manuscripts. Watermark types are those given in IMCCM. The specific numbering of individual marks (Arabic numerals) relates only to this study (and not to the numberings in IMCCM); pairs are indicated by the letters ‘a’ and ‘b’ . For example, ‘Pot I/1/b’ indicates that the mark is: of the IMCCM ‘Pot I’ type; here catalogued as no. 1 of that type (with no chronological implications); the second of an identified pair. Heawood nos. refer to E. Heawood, Watermarks, mainly of the 17th and 18th Centuries (Hilversum, 1950).
WATERMARK MEASUREMENT KEYS
all measuring profiles are taken from IMCCM, vols 1 and 2
ARMS OF AUSTRIA AND BURGUNDY
A width of main shield between upper corners
P distance from upper corner to chain line, eagle side
Q distance from upper corner to chain line, tower side
X distance from lower corner to chain line, eagle side
Y distance from lower corner to chain line, tower side
ARMS OF FRANCE AND NAVARRE I
A overall height of mark
B, C distances from left and right extremities of quatrefoil at top to next chain
line outwards:
D, E height and width of shield bearing fleurs-de-lys
F, G height and width of cross at bottom of mark
H, J distances from left and right extremities of cross at bottom of mark to next chain lines outwards
CIRCLES
a overall height
B overall width of mark (all circles are approximately equal)
C, D distances between left- and right-hand extremities of circle and adjacent
chain lines
GRAPES
A number of rows of circles
B maximum number of circles in one row
C, D height and width of the ‘grapes’ pattern, excluding the stem
E, F distances between left- and right-hand extremities of the ‘grapes’ pattern
and the adjacent chain lines
PEACOCK
A, B width and height of circle
C, D distances between left- and right-hand extremities of circle and adjacent
chain line
PILLARS II
A number of rows of circles in ‘grapes’ pattern
B maximum number of circles in one row
- Type
- Chapter
- Information
- The Consort Music of William Lawes, 1602-1645 , pp. 319 - 323Publisher: Boydell & BrewerPrint publication year: 2010