Book contents
- Frontmatter
- Contents
- General editor's preface
- Preface
- Introduction
- 1 Mythifying matrix: Corneille's Médée and the birth of tragedy
- 2 Le Cid: Father/Time
- 3 Horace, Classicism and female trouble
- 4 Cinna: empty mirrors
- 5 Polyeucte: seeing is believing
- 6 Nicomède, Rodogune, Suréna: monsters, melancholy and the end of the ancien régime
- Notes
- Index
General editor's preface
Published online by Cambridge University Press: 25 October 2011
- Frontmatter
- Contents
- General editor's preface
- Preface
- Introduction
- 1 Mythifying matrix: Corneille's Médée and the birth of tragedy
- 2 Le Cid: Father/Time
- 3 Horace, Classicism and female trouble
- 4 Cinna: empty mirrors
- 5 Polyeucte: seeing is believing
- 6 Nicomède, Rodogune, Suréna: monsters, melancholy and the end of the ancien régime
- Notes
- Index
Summary
This series aims at providing a new forum for the discussion of major critical or scholarly topics within the field of French studies. It differs from most similar-seeming ventures in the degree of freedom which contributing authors are allowed and in the range of subjects covered. For the series is not concerned to promote any single area of academic specialization or any single theoretical approach. Authors are invited to address themselves to problems, and to argue their solutions in whatever terms seem best able to produce an incisive and cogent account of the matter in hand. The search for such terms will sometimes involve the crossing of boundaries between familiar academic disciplines, or the calling of those boundaries into dispute. Most of the studies will be written especially for the series, although from time to time it will also provide new editions of outstanding works which were previously out of print, or originally published in languages other than English or French.
- Type
- Chapter
- Information
- Corneille, Classicism and the Ruses of Symmetry , pp. ix - xPublisher: Cambridge University PressPrint publication year: 1986