Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-14T04:27:48.820Z Has data issue: false hasContentIssue false

Chapter 2 - Saviour ‘at the Time of Death’: Amoghapāśa’s Cultic Role in Late First Millennium Odishan Buddhist Sites

Published online by Cambridge University Press:  30 June 2023

Get access

Summary

In the late first millennium, bodhisattva Amoghapāśa (literally, ‘whose noose is unfailing’), a special appearance of Avalokiteśvara, was an important cultic figure at several contemporaneous Eastern Indian Buddhist establishments in Bihar and Odisha. At the same time, as surviving visual as well as textual evidence suggests, this bodhisattva was favoured over a large part of the Buddhist world in Japan, China, Southeast Asia, and Nepal. After the first millennium, the cult of this bodhisattva continued to gain greater popularity during later centuries in areas where Buddhism flourished. It is clear that sculpture representing bodhisattva Amoghapāśa was considered to have immense cultic efficacy across the Buddhist world. Why did this particular aspect of bodhisattva Avalokiteśvara gain distinctive eminence at Buddhist sites across Asia during the mediaeval period?

The likely reason behind the widespread relevance of Amoghapāśa's cult was his general role as a protector, along with his specific role associated with death and the afterlife. Janice Leoshko (1985: 135) briefly made an insightful suggestion regarding Amoghapāśa's funerary function at Gayā (Bihar, India). Nancy Tingley (2006: 76), too, pointed to the possible mortuary associations of this bodhisattva at Ratnagiri (Jajpur district) in Odisha. Focusing on extant sculpture recovered from archaeological sites in Odisha, particularly Ratnagiri, as well as textual records, this chapter will discuss the devotional and cultic significance of Amoghapāśa as a ‘saviour at the time of death’. While attending to the perceived role of this bodhisattva in early mediaeval South Asia, I will consider the physical locations of the large-scale stone sculptures of Amoghapāśa discovered at Ratnagiri, Odisha, and explore the development of this imagery within Indic iconography and funerary ritual. I will suggest that through a fresh interpretation of the relevance and meaning of his defining attribute, the pāśa, we can understand the association of Amoghapāśa with death-related rituals in India between the 8th and early 10th centuries. Amoghapāśa was associated with extending lifespans, saving the dead at deathbed and post-mortem rites, making his worship prevalent amongst Buddhist communities across Asia.

AMOGHAPĀŚA IMAGES IN INDIA AND BEYOND

The last quarter of the first millennium was a time of active patronage and expansion of Buddhist temple as well as monastic and pilgrimage sites in Eastern India (Leoshko 1988; Proser 2010).

Type
Chapter
Information
The Creative South
Buddhist and Hindu Art in Mediaeval Maritime Asia
, pp. 7 - 26
Publisher: ISEAS–Yusof Ishak Institute
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×