Book contents
- Daniel Defoe in Context
- Daniel Defoe in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Life and Works
- Part II Literary Context
- Chapter 6 Defoe and the Novel
- Chapter 7 Defoe and Popular Fiction
- Chapter 8 Verse and Verse Satire
- Chapter 9 Memories and Memorials
- Chapter 10 Periodicals, News, and Journalism
- Chapter 11 Defoe and Pornography
- Chapter 12 Defoe and Popular Religious Writing
- Chapter 13 Theatre and the Novel
- Chapter 14 The Philosophical Tradition
- Part III Authorship and Copyright
- Part IV The Monarchy and Parliament
- Part V Social Structures and Social Life
- Part VI Critical Fortunes and Literary Afterlife
- Further Reading
- Index
Chapter 11 - Defoe and Pornography
from Part II - Literary Context
Published online by Cambridge University Press: 27 April 2023
- Daniel Defoe in Context
- Daniel Defoe in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Life and Works
- Part II Literary Context
- Chapter 6 Defoe and the Novel
- Chapter 7 Defoe and Popular Fiction
- Chapter 8 Verse and Verse Satire
- Chapter 9 Memories and Memorials
- Chapter 10 Periodicals, News, and Journalism
- Chapter 11 Defoe and Pornography
- Chapter 12 Defoe and Popular Religious Writing
- Chapter 13 Theatre and the Novel
- Chapter 14 The Philosophical Tradition
- Part III Authorship and Copyright
- Part IV The Monarchy and Parliament
- Part V Social Structures and Social Life
- Part VI Critical Fortunes and Literary Afterlife
- Further Reading
- Index
Summary
In Defoe’s lifetime, the words pornography, pornographer, and pornographic did not yet exist. But starting in the 1650s, a new genre of sexually explicit writing began to appear in English, so that by the 1680s a ’canon’ of erotic or obscene texts that would later be termed pornographic had become a familiar part of the literary landscape. In much of his own work, Defoe presents himself as a scourge of sexual immorality and indecency: an anti-pornographer. But in two key later texts – Conjugal Lewdness; Or, Matrimonial Whoredom (1727) and his unsettling final novel, Roxana (1724) – he not only engaged with the content of pornography, i.e. sexual acts and illicit or unregulated desire, but adopted some of its key formal features, such as the seductive dialogue between women and the tension between moral suppression and immoral enticement.
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- Daniel Defoe in Context , pp. 89 - 95Publisher: Cambridge University PressPrint publication year: 2023