Book contents
- Debussy in Context
- Composers in Context
- Debussy in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Preface
- Notes on the Text
- Abbreviations
- Part I Paris: City, Politics, and Society
- Part II The Arts
- Part III People and Milieu
- Chapter 12 Debussy and the Family in Third-Republic France
- Chapter 13 Romantic Relationships
- Chapter 14 Relationships with Poets and Other Literary Figures
- Chapter 15 Publishers
- Chapter 16 Composers with Whom Debussy Was Associated
- Chapter 17 Music Education and the Prix de Rome
- Part IV Musical Life: Infrastructure and Earning a Living
- Part V The Music of Debussy’s Time
- Part VI Performers, Reception, and Posterity
- Recommendations for Further Reading and Research
- Index
Chapter 12 - Debussy and the Family in Third-Republic France
from Part III - People and Milieu
Published online by Cambridge University Press: 23 May 2024
- Debussy in Context
- Composers in Context
- Debussy in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Preface
- Notes on the Text
- Abbreviations
- Part I Paris: City, Politics, and Society
- Part II The Arts
- Part III People and Milieu
- Chapter 12 Debussy and the Family in Third-Republic France
- Chapter 13 Romantic Relationships
- Chapter 14 Relationships with Poets and Other Literary Figures
- Chapter 15 Publishers
- Chapter 16 Composers with Whom Debussy Was Associated
- Chapter 17 Music Education and the Prix de Rome
- Part IV Musical Life: Infrastructure and Earning a Living
- Part V The Music of Debussy’s Time
- Part VI Performers, Reception, and Posterity
- Recommendations for Further Reading and Research
- Index
Summary
This chapter reflects on the class system and economic background of Debussy’s youth and the implications they had for his education. Given that he received little formal education until he entered the Paris Conservatoire, there is ample opportunity here to assess how typical this background was, or if it was shaped by the parents’ unusual circumstances. Arising out of this, there is a discussion of contemporary conceptions of the family, both at the time of Debussy’s childhood and in the twentieth century, when he became head of a small family and had to cope with the consequences (he apparently coped badly much of the time and resented the demands of family life). Despite his ardent desire to make up for everything he did not have as a child, Debussy struggled to reconcile the demands of his family with his professional aspirations at a time when men were increasingly expected to participate in and enjoy family life. Whether his struggles emanated from his artistic aspirations or his self-centred character, Debussy’s personal and professional choices were undoubtedly shaped by the circumstances of his upbringing and the increasing importance accorded to the family in French society during his lifetime.
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- Debussy in Context , pp. 117 - 125Publisher: Cambridge University PressPrint publication year: 2024