Book contents
- Debussy in Context
- Composers in Context
- Debussy in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Preface
- Notes on the Text
- Abbreviations
- Part I Paris: City, Politics, and Society
- Part II The Arts
- Part III People and Milieu
- Part IV Musical Life: Infrastructure and Earning a Living
- Chapter 18 The Jobbing Composer-Musician
- Chapter 19 Parisian Opera Institutions: A Framework for Creation
- Chapter 20 Société Nationale and Other Institutions
- Chapter 21 Debussy Noctambule and Parisian Popular Culture
- Chapter 22 Music Criticism and Related Writing in Paris
- Part V The Music of Debussy’s Time
- Part VI Performers, Reception, and Posterity
- Recommendations for Further Reading and Research
- Index
Chapter 21 - Debussy Noctambule and Parisian Popular Culture
from Part IV - Musical Life: Infrastructure and Earning a Living
Published online by Cambridge University Press: 23 May 2024
- Debussy in Context
- Composers in Context
- Debussy in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Preface
- Notes on the Text
- Abbreviations
- Part I Paris: City, Politics, and Society
- Part II The Arts
- Part III People and Milieu
- Part IV Musical Life: Infrastructure and Earning a Living
- Chapter 18 The Jobbing Composer-Musician
- Chapter 19 Parisian Opera Institutions: A Framework for Creation
- Chapter 20 Société Nationale and Other Institutions
- Chapter 21 Debussy Noctambule and Parisian Popular Culture
- Chapter 22 Music Criticism and Related Writing in Paris
- Part V The Music of Debussy’s Time
- Part VI Performers, Reception, and Posterity
- Recommendations for Further Reading and Research
- Index
Summary
Now referred to nostalgically as the Belle Époque, late-nineteenth-century Paris was a paradise for all those who loved a night out on the town. As contemporary tourist guidebooks promised, one could enjoy the city’s bustling street life and lively cafés, revel in its raucous balls and unruly dance halls, be dazzled by the latest music-hall acts and dreamy romantic comedies, and delight in any number of spectacular theatrical extravaganzas. Debussy was a night owl, well acquainted with Parisian nightlife. His favourite haunts included café-concerts and cabarets, operetta theatres and music halls, band concerts and the circus. Like many of his contemporaries, he not only sought amusing diversions in these eclectic and adrenaline-charged establishments but was also inspired by the whimsical fantasies and sensual delights they offered. This chapter offers a glimpse into the popular venues and novelties that Debussy discovered on his nighttime perambulations through Paris, providing a window into the world of popular entertainment that coloured many of his works.
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- Debussy in Context , pp. 193 - 200Publisher: Cambridge University PressPrint publication year: 2024