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from Part V - The Music of Debussy’s Time
Published online by Cambridge University Press: 23 May 2024
Debussy’s extensive vocal music spans his entire career. This chapter places it in the context of the work of Debussy’s contemporaries, focusing on the art of singing as it was practised both in art and popular music. Debussy’s strong predilection for song cycles conceived as triptychs is also discussed at length, and an important comparison drawn with the composer most often linked to Debussy, Maurice Ravel.
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