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Chapter 14 - The Science of Decadence

from Part II - Developments

Published online by Cambridge University Press:  12 August 2019

By
Jordan Kistler
Edited by
Jane Desmarais  and
David Weir
Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
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Summary

In the nineteenth century, the concept of decadence was not solely of aesthetic interest but had a number of scientific applications. Decadence itself is an organic metaphor, extending the natural processes of decline and decay to societies and the arts. Rather than rejecting nature outright, decadent authors readily embraced new scientific theories that changed the way people thought about the natural world. The pessimism of nineteenth-century science stemmed from the brutal world of industrial capitalism in which it was developed. Decadent writers then incorporated both scientific ideas and language into a literary style obsessed with decay and decline. Finally, science returned to decadent literature to pathologize certain modes of artistic expression as yet another sign that certain types of individuals were ‘degenerate’. Three key scientific theories of the nineteenth century underpin the decadent fixation on decline, decay, and degeneration: uniformitarianism, evolution, and the conservation of energy. All three theories identify impermanence in natural structures previously believed to be permanent and stable.

Keywords

sciencedecadenceKistlermetaphororganicdeclinedecaydegenerationDarwinZola
Type
Chapter
Information
Decadence and Literature , pp. 232 - 247
Publisher: Cambridge University Press
Print publication year: 2019

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