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Chapter 13 - The Theology of Decadence

from Part II - Developments

Published online by Cambridge University Press:  12 August 2019

By
Matthew Bradley
Edited by
Jane Desmarais  and
David Weir
Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
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Summary

Traditional Christianity includes a number of ideas with affinities to decadence, notably the eschatological belief that the end of the world is imminent (a belief that has its secular counterpart in the idea of historical and social decline) and the dogma of original sin. This chapter sketches out ‘a theology of decadence’ by showing how particular theological ideas ? principally those concerned with transgression, punishment, and apocalypse ? grew anew in the strange and modern hothouse of decadent literary form. Baudelaire and his use of original sin as formulated by the Catholic theologian Joseph de Maistre ramifies into the work of Joris-Karl Huysmans before moving on to the apocalyptically-charged flowering of decadence in England at the Victorian fin de siècle. These theological influences are particularly evident in The Picture of Dorian Gray, where Wilde reflects the dual inheritance of an aesthetic relativism derived from Walter Pater and theological ideas of sin and punishment as a form of apocalyptic crisis.

Keywords

theologydecadenceBradleyHuysmansBaudelaireWildeChristianitytransgressiondamnationsalvation
Type
Chapter
Information
Decadence and Literature , pp. 216 - 231
Publisher: Cambridge University Press
Print publication year: 2019

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