Book contents
- Divine Inspiration in Byzantium
- Divine Inspiration in Byzantium
- Copyright page
- Contents
- Plates
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- One The Early Christian Iconography of Divine Inspiration
- Two Inspiration and the Bible in the Post-Iconoclastic Era
- Three Inspiration Continued
- Four Divine Inspiration beyond the Fathers
- Five Inspired Icons
- Six Acheiropoietos
- Seven Allegories of Divine Artistry
- Epilogue
- Bibliography
- Index of Manuscripts
- Index of Biblical Citations
- General Index
- Plate Section (PDF Only)
Four - Divine Inspiration beyond the Fathers
Published online by Cambridge University Press: 16 July 2022
- Divine Inspiration in Byzantium
- Divine Inspiration in Byzantium
- Copyright page
- Contents
- Plates
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- One The Early Christian Iconography of Divine Inspiration
- Two Inspiration and the Bible in the Post-Iconoclastic Era
- Three Inspiration Continued
- Four Divine Inspiration beyond the Fathers
- Five Inspired Icons
- Six Acheiropoietos
- Seven Allegories of Divine Artistry
- Epilogue
- Bibliography
- Index of Manuscripts
- Index of Biblical Citations
- General Index
- Plate Section (PDF Only)
Summary
Analysis of the textual and visual evidence illustrates that Byzantine authors of religious literature beyond the age of the Fathers were seen as heirs of traditions established in biblical and patristic literature. The associated iconography exhibits unusual features that highlight continuity and thus the authority of religious writings composed in eras distant from the emergence of the biblical and patristic canons. Imagining themselves to be following in the footsteps of the apostles and Church Fathers, emperors showcased themselves as divinely inspired in their quest to defend Byzantine Orthodoxy against heretical threats.
- Type
- Chapter
- Information
- Divine Inspiration in ByzantiumNotions of Authenticity in Art and Theology, pp. 206 - 231Publisher: Cambridge University PressPrint publication year: 2022